
In this video I will share the big picture for this course and what to expect as we move forward.
Art is an idea. All art is an illusion that's created with symbols. That's because everything we paint and draw are objects, except for non-objective artwork, that only exist in real life.
So, when we draw our subjects we need to do this with symbolism. And an artist needs a library of shapes and forms to get their ideas on the page.
The two main parts we will use and discuss in great detail for this course are Gesture & Structure.
Structure is best defines as the parts, or pieces
Gesture is the curvy flowing line that helps us connect and compose the bigger pieces and ideas
Structure will include shapes and forms. Sometimes these can be broken down into two-dimensional and/or three-dimensional choices.
Some three-dimensional forms work better than others because it's easier to convey length, width, depth, leans and tilts. More on this as we move forward.
As you watch this course keep in mind that this is a process. Learning to draw the human figure will involve many steps and it's important to take it slow. To rush through lessons without fully understanding the lesson are are currently viewing.
Try to envision the stepping stones idea and if/when things start to go south always backtrack to where you feel you're lacking the skill needed to move forward.
To be concerned with style. This comes much later! It's achieved with many miles of drawing so it's best to focus on developing the fundamental drawing skills and try not to get ahead of yourself.
At this stage you want to develop a catalogue of sales and forms that will become your symbols for drawing the human figure.
Explore structure basics by constructing three-dimensional forms and simplified shapes, focusing on movement over the form, perspective, contour, and expressive forearm proportions to convey character and gesture.
Explore gesture as the movement between body parts, using a long axis to convey fluid, organic form and lifelike motion, connecting structure and gesture for dynamic figure drawing.
Embrace curved gestures to keep figures alive and dynamic, choosing curves over straight lines when mistakes occur, and see how rotation reveals curves in form and gesture alongside structure.
Explore how form defines structure through axis directions, lean, tilt, and perspective; learn to read volume and position from simple shapes to improve figure drawing.
Explore how form and position establish perspective, and how eye level and the horizon line guide the way shapes tilt, curve, and recede with lean.
Explore perspective by rotating a form, tilting it relative to eye level, and observing depth and tapering to create dynamic figure drawing.
Adopt a tube-based approach to capture the arm's gesture and structure, using center lines and egg-shaped forms for deltoid, bicep, and forearm while preserving flow.
Use the pencil method to measure lean and tilt, a pencil test approach, then transfer angles to paper while noting landmarks like rib cage, xiphoid, navel, and pubic bone.
Master dynamic figure drawing by analyzing facing positions, twists, leans, and rotations through center lines, space on both sides, and simplified tube and pinch concepts for beginners.
Identify and preserve the main gesture, the connecting line, as the backbone of figure drawing; balance the longest curve with form while adding structure.
Target the longest sustained curve to guide gestural lines in figure drawing, from the torso to the legs and arms, then refine with simple shapes.
Analyze how flowing curves, egg shapes, and volume define gesture and structure in master and beginner figure studies. Observe construction lines, center lines, and s-curves to reveal twists and form.
Learn back-pose drawing basics using vertical landmarks, spine alignment, and shoulders, while keeping lines light and experimenting with multiple curves and a steady pencil grip.
Study a back pose with vertical and horizontal guides and the longest gestural line to capture volume, pinch points, trapezius, spine structure, and head placement.
Demonstrates empathetic figure drawing from a front pose, emphasizing gesture, volume, and landmarks such as the iliac crest to build a dynamic construction rather than copying contours.
Begin with the head to establish gesture and structure, then build the torso and neck with long curves and axis lines, refining with volume and corners.
Robert's practice reel guides beginners through quick poses, focusing on ideas over detail, using the longest sustained curve and box construction to study posture, perspective, and anatomy.
Start with a gesture line for the head, then build structure around it using egg or pill shapes, emphasizing the long axis and keystone placement.
Master head drawing in a simplified approach: use keystone shapes, gesture lines, and a box construction to map three-quarter views and facial planes.
Learn to draw heads with gesture lines and simple shapes, explore three-quarter views, study masters’ work, and build features from the gesture line using box construction and an hourglass neck.
Learn to simplify the neck and torso into tube shapes using rib cage and pelvis ideas like egg, box, or pickle barrel across front, side, and three-quarter views.
Explore gesture-driven torso construction, mapping head and neck to the rib cage and hips using center line, spine curves, and bulging box forms for beginners.
Explore how to analyze a reclining torso by tracing the neck, chest, and trapezius as they flow into the Coke bottle method, using gesture lines to map centers and hips.
Master head and torso connections through gesture and structure, tracing neck, spine, rib cage, and shoulder girdle with simple, boxy ideas.
Explore front and slight three-quarter head and torso poses by using a pencil test to gauge tilt and perspective, then map skull shape, neck, shoulders, and torso landmarks.
Explore a side pose to build head and torso construction. Map the neck, back of the head, ear, and shoulder with gesture lines and egg-shaped forms.
Master arm and shoulder drawing by using the elbow test and gesture curves—elbow orientation, upper arm and forearm details, and tapering tubes—for dynamic poses.
Build the arm and shoulder on top of the shoulder girdle, using tube and egg shapes to sketch the deltoids, clavicle, neck, and gesture, while tracing connections and twists.
Explore the back view by emphasizing the shoulder girdle, clavicles, and deltoids as they sit on the rib cage and spine, and map arm movement with gesture lines.
Master transitions from head to neck to torso by detailing the shoulder girdle, deltoid, and rib cage with focus on drawing through angles and the arm's connection.
Explore the shoulder girdle in figure drawing, mapping the clavicle, deltoid, and rib cage with gesture lines from front and side views to capture form and flow.
Explore the shoulder girdle, arms, and gesture from clavicle cues to deltoid wrap and armpit anatomy, emphasizing rhythm, tapering, and perspective.
Develop arm and shoulder drawing skills in a standing pose by mapping the head, neck muscles, clavicles, deltoid, traps, rib cage, and the arm's elbow-to-forearm gesture.
Learn to build a head, neck, and rib cage into a believable shoulder pose using a profile view, Coke bottle gesture, and clear deltoid formation.
Attach the legs to the pelvis using outside corners, exploring front, profile, and back views; refine thigh, calf, and ankle bulges with gesture and boxy or rounded forms.
Explore how to attach legs to the hips using a bulging box gesture, map the tibia and ankle, and build a simplified foot with a wedge and toes.
Explore the architecture of legs and feet by analyzing tube-like shapes, wedges, and the big toe, while practicing articulation, perspective, shading, and box-based construction.
Practice leg and foot construction using back and side views, bulging boxes, wedges, and contour lines to locate knees, calves, and the foot's wedge and gesture.
Learn leg and foot construction for figure drawing through hip to toe gestures, knee and tibia shaping, ankle and foot wedges, and perspective in front and side views.
Explore general proportions for a front-view figure using an egg-shaped head, gesture line, and thirds to place the eyes, nose root, lips, ears, neck, rib cage, and pelvis.
Build the front view by laying out legs and feet with knee placement, then shape the rib cage, pelvis, and arms using tube forms and a three-by-four rib cage rule.
Learn to build a front view by shaping the head and neck, then block the rib cage, pelvic area, and shoulders, noting subtle male versus female proportions.
Map the male profile by laying out the pit of the neck, rib cage, thoracic arch, spine, clavicle, and deltoid, using egg shapes and axis lines to guide proportions.
Explore subtle gender differences in profile drawing, adjusting the neck position, rib cage, pelvis, and thoracic arch, with notes on hip shape, egg silhouette, breast hang, and the coke-bottle torso.
Learn back proportions with simple shapes, map the neck pit, trapezius, collarbone, rib cage, and center line, then apply to front and back views with consistent proportions.
Learn back-view figure drawing by outlining the rib cage, waist, and hips, then adjust for male or female proportions and limb placement from pelvis to knees.
Learn to map the figure's proportions using a Coke bottle model, isolating the neck, rib cage, waist, and pelvis while tracing the center line and spine curves.
Balance gesture and structure in figure drawing using the longest gesture line to map the head through the torso and limbs, then refine to reveal three-dimensional volume.
Learn to construct a standing three-quarter figure from the head using proportional thirds and a center line, predicting neck, torso, shoulders, and limbs even when hair hides details.
Learn how perspective and foreshortening shape a dynamic figure, moving from gesture to structure in three-quarter poses. Use a gesture-to-structure system with checks to map spine and limbs.
Robert emphasizes slowing down and studying figure parts in practice reels for the final assignment, focusing on gesture, anatomy landmarks, and foreshortening rather than rushing through a full figure.
Welcome To Beginner Figure Drawing! The ultimate online course for complete beginners that aspire to draw the human figure.
My name is Robert Joyner, and I'm a full-time artist from beautiful Virginia. I've been painting and teaching for over 15 years and I'm thrilled to bring this in-depth figure drawing course to you via Udemy.
This class has been carefully constructed and includes a step-by-step approach that will build confidence without getting overwhelmed. If you can draw a circle, square and rectangle then you are more than qualified to take this course.
“This class illustrates the breakdown of body parts into shapes upon which the figure is built, and adding gesture to that structure to create a dynamic figure drawing. Robert presents this in easy to understand demonstrations that students are encouraged to draw along with. These techniques simplify the mechanism of figure drawing. Where to start drawing a figure and getting proportions right has always been difficult for me, but even midway through this class that apprehension is being replaced by a growing confidence.” - Kat Schieber
OVERVIEW
Section One: Gesture & Structure
These are the ultimate building block for your drawings.
Gesture is used in a very unique way. Instead of using gesture to draw stick figures we will use it to locate and draw the lovey long-axis curves that make up major body parts. Each pose has several main gestures and you will quickly discover how to locate and draw them using one simple yet characteristic line.
Structure is used to add volume and depth to each gesture. This makes the gestures more dynamic and three dimensional. You will learn how to sculpt each area of the body using basic forms and shapes.
Section Two: Body Parts
This is a complete breakdown of the main body parts including the head, neck, ribcage, waist, pelvis, arms, shoulders, legs and feet. You will learn easy ideas for drawing each part using gesture & structure!
Section Three: Proportions
You will learn to develop a general model for understanding the front, back and profile views. Plus we will discuss some key similarities and differences between male and female bodies.
Section Four: Final Assignment
Here you will put your knowledge and skills to the test. There is a practice reel that includes four poses, each one is six minutes long. To make it even better I will complete the same exact practice reel so you have something to compare your work to!
As you can see this is the perfect lesson plan for beginners! It also includes:
Master's analysis - throughout the course we will look at some of the Master's figure drawings, like Michelangelo, Raphael and more, to see how they used the ideas shared in this course in their work.
12 Hours Of Demos - Each lecture is accompanied with a series of demonstrations where I will use images of models to draw the ideas for you. So, you will see how each main idea can be implemented in a variety of situations and poses.
Thanks for taking the time to check out this course. I really hope to connect with you on the inside and become a part of your creative journey.
"Amazing class, easy to follow along with plenty of example and demo to watch and learn from. It was a long course, I was intimidated by the length at first, but then I have managed to finish it in a week and complete the assessment. I feel that my figure drawing has improved so much." - Carmela Pica