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Become a Film or TV Casting Director
Rating: 4.0 out of 5(29 ratings)
141 students

Become a Film or TV Casting Director

Become a Film or TV Casting Director - Working Closely with the Director, the actors and their agents.
Last updated 4/2017
English
English [Auto],

What you'll learn

  • Network and make the right connections. Make offers and deals. Find the right actors for the right roles. Read with actors. Run auditions. Understand SAG-AFTRA contracts.
  • Finds & discovers” talent, makes recommendations, and handles auditions and casting sessions.

Course content

1 section26 lectures4h 26m total length
  • 1.1 Introduction2:16

    Learn from a Los Angeles-based casting director about the casting process, how talent gets on screen, and what it takes to work with actors on film and television.

  • 1.2 Process of Becoming Casting Director9:28

    Learn the step-by-step path to becoming a casting director, starting as an intern, advancing to assistant, and casting associate, then handling network-facing duties and the master list.

  • 1.3 Finding an Acting Studio3:32

    Study the craft of acting, Meisner technique, Stanislavski, or other methods, to understand actors, learn to communicate with them, and direct talent to reveal the character on set.

  • 1.4 Reading with Actors6:28

    Read with actors to explore creative options, sustain enthusiasm, and create a safe, open space where each actor brings a unique performance.

  • 1.5 Running an Audition4:34

    Run the audition session by pre-read candidates, selecting a handful for the director, and guiding quick slates with name and height to move takes efficiently.

  • 1.6 The Art of Offers and Deal Making7:09

    Learn how casting directors craft offers and offer letters, negotiate with agents and managers, and balance budget and availability to place the right actor, in first or second position.

  • 1.7 Value of Relationship Building8:37

    Develop lasting relationships with agents, managers, directors, and producers through consistent, respectful communication, clear reasoning, and demonstrated passion to advance casting opportunities.

  • 1.8 Getting Your Child into the Business7:35

    Encourage your child to explore acting willingly, cultivate creativity, and protect their childhood by avoiding force, guiding them to seek auditions and classes when they express interest.

  • 1.9 Getting in as an Adult15:26

    Discover a practical path to acting success: commit to a year of technique-based study, obtain professional headshots, pursue representation, and build experience through student films and auditions.

  • 1.10 How to Get to LA-NY12:26

    Move to Los Angeles or New York, build credits, save money, and cultivate industry contacts, then pursue acting with strategic classes, showcases, and a resilient, not desperate mindset.

  • 1.11 What to do Once You Have the Audition15:48

    Memorize the sides off-book for your audition, arrive early, and enter with a solid, bold choice while staying open to reader feedback and avoiding excuses.

  • 1.12 Agents and Managers16:23

    Learn how to obtain agents and managers, submit for roles, and navigate show business by promoting yourself, balancing boutique versus big agencies, and evolving your representation as your career grows.

  • 1.13 Digital Influence6:49

    This lecture states that social media influence and follower counts do not determine success as an actor; instead, focus on acting craft through training and conservatories like NYU Tisch.

  • 1.14 IMBD vs IMBDPro5:43

    Discover how IMDb Pro provides deeper insights into actors, writers, directors, and projects, including agencies, budgets, and development status, to target the right contacts.

  • 1.15 Union vs Nonunion9:03

    Explore union versus nonunion paths for actors, detailing SAG eligibility, background work, joining costs, benefits like health and pension, and new media agreements that enable nonunion talent on web series.

  • 1.16 Headshots and Resume13:29

    Headshots serve as a business card, prioritizing accurate eye contact and 1–3 simple photos that match audition look. Keep resumes concise, highlighting training, agency contact, and on‑camera credits only.

  • 1.17 Casting for Television21:32

    Explore how television casting evolves from pilot to series, including offers, readings, tests, chemistry reads, and roles of series regulars, recurring, guest stars, and co-stars across network, cable, and streaming.

  • 1.18 Casting for Film8:25

    Grasp the differences between film and television casting, focusing on stillness, close-ups, and projecting on camera. Explore how local hires, day players, and leads shape auditions and casting decisions.

  • 1.19 Indie Films16:38

    Explore how independent casting directors navigate budgets, script quality, and close collaboration with directors and producers to assemble a film’s cast.

  • 1.20 Studio Films14:42

    Studio films versus indie involve executives and a corporate playbook, with optioned scripts, attached directors, big-name leads, and studio-led casting and screen tests.

  • 1.21 Talent Payment22:05

    Actor pay depends on film budget, with independent films offering a SAG-AFTRA minimum scale and options like back-end, travel, trailers, billing, and residuals.

  • 1.22 The Importance of Being Organized9:31

    Stay organized to juggle multiple casting projects, track calls, offers, and auditions, and coordinate producers, directors, and actors with meticulous notes, thorough reviews, and diligent double-checking to avoid errors.

  • 1.23 What is a Casting Director7:55

    A casting director serves as an adviser to producers and directors, selecting the best talent from a pool of actors and guiding casting decisions through the script.

  • 1.24 Process of Auditioning to Booking to Completion13:12

    Audition for a role, navigate callbacks and table reads, and manage call sheets, makeup, wardrobe, and on-set days. Practice professional etiquette and respect all crew roles from casting to directors.

  • 1.25 Personal Story7:13

    Follow a casting director's journey from actor to casting pro, driven by passion, no plan B, and intuition, including an Eric Morris process and on-set casting experience.

  • 1.26 Conclusion1:00

    Conclude your journey toward becoming a film or tv casting director by reaffirming your commitment to understanding the casting business and what you can do as an actor.

Requirements

  • There are no prerequisites or previous knowledge needed for this course. This course teaches how to become a casting director starting at the beginner level.

Description

Casting Directors organize the casting (selecting) of Actors for all roles in a film. The casting director is responsible for working with the Director and Producer to understand their requirements. 
The casting director “finds & discovers” talent, makes recommendations, and handles auditions and casting sessions. Once the film is cast, he or she also oversees contracts and other negotiations and works closely with the director and with actors and their agents. 
Become a Film of Casting Director course is instructed by Brandon Rodriguez. As a casting director, Brandon is an advocate for actors - his passion for actors and their craft is evidenced by both his approach in the room and the material with which he chooses to align himself. Drawing on his early experiences as an actor, he takes great care to create a safe, creative, and collaborative environment for actors. Ultimately, he is committed to cultivating a mutual quest for verisimilitude.

Who this course is for:

  • Anyone interested in becoming a casting director.