
Explore acting principles from Stanislavski, Carl Jung, and Rudolf Luban, learn to research, analyze monologues, and break down scenes with given circumstances and objectives.
Identify your artistic identity by outlining talent, technique, and temperament to define your professional persona. This clarity helps target suitable roles, handle rejection, and protect mental health.
Explore the five research questions—who is the author, why they wrote it, the times, and what it's about—to reveal the artistic truth. Feed the rehearsal process with discipline and curiosity.
Explore the seven acting questions to prepare for any scene or monologue. Work independently, build informed opinions, and contribute to rehearsals through a preparation framework that emphasizes research analysis questions.
Examine how inner and outer characteristics reveal and conceal a character. Through Lady Macbeth and methods like backstories and animal-based physical life, explore constructing the emotional life.
Explore given circumstances by defining where you are and when, treat the setting as a character, and use atmosphere from locations like antechambers to shape performance.
Identify and specify the given circumstances of time and place—season, month, day, time—through research and analysis, collaborate with the ensemble to create atmosphere and guide emotions.
Identify the character's objective by asking 'What do I want?'. Focus on making another character or object do something, driving action rather than self.
Focus on motivation behind every action, proving why you say or do each line, and connect the why to the character’s objective in collaborative rehearsal to deepen the work.
Develop motivation and a clear objective by focusing on action choices. Emphasize dynamic, active actions (psychological, emotional, verbal, or physical) played on another person rather than self.
Conquer obstacles by focusing on the objective and the doing, not emotions. Answer seven basic questions—who, where, when, what, why, how, and what is the obstacle—for informed rehearsal and collaboration.
Explore Carl Jung's four human aspects: sensing, thinking, intuiting, and feeling, and learn how to analyze a character's physical life, conscious thought, instinct, and emotion to guide performance.
Explore Laban's eight working actions—punching, slashing, pressing, ringing, gliding, floating, flicking, and dabbing—and learn to physicalize lines through reliable, movement-based sensations for stronger acting.
Learn the physical life of a scene by examining open air, one-room, two-room (proscenium arch), and electrical or digital theatre, and how each space shapes performance.
Explore how to approach a Chekhov's Seagull scene by solving the seven acting questions, identifying given circumstances, entrances, objectives, obstacles, and beats through research, analysis, and practical rehearsal.
Submit a monologue for critique from a curated series. Research the author and context, read the play or watch the film, and apply the seven acting questions to your performance.
Hi, I am Tony Knight and having been head of the National Institute of Dramatic Arts in Australia for over 20 years, I had the pleasure of teaching some of the best Actors to come out of Australia. Including Cate Blanchett, Sam Worthington, Sarah Snook, Alex O’Loughlin and Miranda Otto.
I was educated at Sydney Grammar School and trained at the Drama Centre London, which includes in its alumni Colin Firth, Frances de la Tour, Paul Bettany, Penelope Wilton, Michael Fassbinder and Tom Hardy. Tony has considerable knowledge, experience and expertise as a professional acting teacher and director. Tony has been the Program Leader for the Musical Theatre (B.A. Hons.) course at the LaSalle College of the Arts, Singapore, developing and implementing a new curriculum
This introductory course is a starting point for character development and will give you vital information on how to audition better and moreover to become a better actor.
We’ll be looking at: Research & Development, the 7 acting questions,Carl Jung 4 Human Aspects, Rudolf Laban’s 8 Working Actions and Actions and Objectives.
It is important to watch every lesson in order to get the most out of this course. There are materials to download and upon completion of the course you’ll have the opportunity to record a monologue and send to me to get feedback.
Please enjoy the course and I look forward to helping you with character development and watching your monologues.