
Learn to sketch facial features with principled rules and create attractive portraits. Explore shading with powders and pencils across full-face and profile angles for proportional portraits.
Learn the fundamentals of facial sketching, distinguishing real versus imaginary sketches, study eyes, nose, and lips from multiple views, and master line technique with light pressure and proper starting strokes.
Explore eye anatomy and drawing angles, including pupil, iris, eyelids, tear gland, and the white eyeball, and learn to map front, side, and three faces view with precise eye angles.
Learn to design a full face profile with light, smooth lines, defining the gland of the eye, pupil and iris, eyelashes, and gum of the eye with ovals.
Master eye sketching by aligning the corner-to-corner line, placing the iris slightly left of center in the oval eyeball, and shaping the eyelids and eyebrow.
Learn to sketch a full eye and eyebrow from a new angle by building iris and eyelid shapes with light then dark pencils, and shaping lashes with precision.
Create a frame for ear design by outlining the main lines of the ear in side view, using a straight-line framework and the Limberis framework, especially for beginners.
Design the ear by breaking its complex form into general shapes and simple parts across side, front, and rear views, then add wrinkles with a guiding framework.
Master practical shading techniques for the ear in a side view using pencils, powder, brushes, and blending tools to build depth, volume, and realistic contours.
Design and sketch a full ear from a side view using a lightweight framework on a model, establish main lines, plan shading, and refine with erasing.
Learn professional ear shading with pencil and brush: erase extra lines, shade dark parts first, blend with a brush, and layer shading directions to build volume and realism.
Finish ear shading with a pencil by applying a bigger brush to deepen shadows, refine edges, and build volume for a dimensional, beginner-friendly ear with options toward hyperreal detail.
Learn to sketch a side profile lip in standard mode without a model using straight-line guides and light ovals, connect upper and lower lips, and emphasize the darkest lip line.
Sketch a lip design from the front by forming two ovals on a straight line and lightly connecting them. Shade the lip line and corners darkest, with a lighter center.
Sketch the three-faced lip design by drawing a straight line between the corners, placing oval guides, dividing the lips, and adding shading and teeth before erasing guidelines.
Create a front-view lip design from a model using guides and oval shapes, then shade with pencil powder or pencil to build light and dark tones.
Build lip volume with pencil powder by applying light color in circular motions and layering from light to dark, using the right brush sizes for natural shadows.
Master shading lips by applying circular brush motions, varying pressure, and layering color to create light and dark areas, then use an eraser for highlights.
Continue shading and darkening the lips with gentle pressure and circular movements to blend dark into light in a sunset-like gradient while preserving lines and cohesion.
Shade the upper lip with controlled darkening, focusing on the lip line, using back-and-forth and circular motions, test on scrap paper, and blend with a larger brush.
Master sharp line work with a razor eraser and brush eraser, using light and dark contrasts near the lips to render wrinkles and highlights in facial components sketch.
Frame the lips with paper tapes to guide shading and background, then remove tapes to reveal the framing effect and refine dark areas for contrast.
Learn to sketch a front view and side view of the nose using circles to form the tip, nasal septum, and nostrils, with guidance on the nose bridge and shading.
Practice shapes from the right and left to master three-face nose design from the model, including nasal septum, nostrils, and pencil shading to show light and dark.
Construct a full nose sketch by using circles and lines to locate the tip, nostrils, and nasal septum, then shade with pencil for depth.
Master hair sketching by outlining a general hair shape around the face, separating dark and light areas as you shade with a brush to create sharp, directional lines.
Master hair shading with conte powder by building darkness along the hair's direction, using powder and brush, then fading toward lighter areas and preparing for erasers.
Continue shading by separating light and dark parts, shape hair with direction and random strokes, and fade to create cohesive, natural edges from hair to the dress.
Learn to draw hair by shaping lines in natural directions with a hard pencil, using sharp edges, eraser highlights, and controlled hand pressure to create light and dark areas.
Sketch a side profile of the face using standard face profile proportions, including lips to chin, eye to ear spacing, and refine eyelashes, iris, and eyebrows.
Apply face-design principles to sketch a horse from a model, use an oval and a mouth-to-ear line to place eyes and ears, and refine with pencil.
Welcome to the course. This course teaches you how to easily create a portrait sketch from the ground up. This tutorial in simple and beginner language will help you a lot in learning this style of painting. This course does not require previous knowledge and if you are only interested and a little talented, with the help of this course, you can easily create beautiful portraits, because we have tried to teach you all the steps, step by step.
Facial parts are eyes, eyebrows, lips, nose, ears and hair. Both we check and draw from the model and without the model. We create these parts in full-angle(front view), profile(side view)and three-face angles so that you can see them all. You can watch and learn shading with three methods of pencil powder, Conte powder and pencil. In one sentence and to sum up, with this course, you will learn the principles and rules of face sketch and you can easily sketch a face.
So it is better not to waste time and become a skilled painter right now with the help of this course.
So it is better not to waste time and become a skilled painter right now with the help of this course.