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Ballad Master - Ballad Style Piano Course
Rating: 4.4 out of 5(34 ratings)
157 students

Ballad Master - Ballad Style Piano Course

The fascinating magic of the Ballad Style on the piano
Last updated 12/2017
English

What you'll learn

  • Specifications of Harmony in Ballad style
  • Basic ballad chords and regularities of the style that will allow you to better feel the style, pick up music in this style
  • Use your knowledge to write your own compositions
  • Rhythm of the Ballad style
  • Improvisation basics in Ballad Style
  • Several kinds of ballad-style accompaniment

Course content

1 section32 lectures3h 23m total length
  • Basis harmony of ballad style6:52

    Build major and minor triads using a 4+3 semitone formula to shape ballad style harmony, with C major, E minor, and G major bass motion.

  • The Basics of Accompaniment8:04

    Master ballad-style accompaniment by using four-beat bars and four-bar phrases, play bass with the left hand, and use pedal for smooth chords; explore note choices between chords and varied accompaniments.

  • SUS chords in ballad style5:30

    Explore suspended chords in ballad style, learn how major and minor triads become suspended with a second, create tension, and resolve to major or minor.

  • Seventh chords in ballad style9:27

    Learn how to transform triads into seventh chords in ballad style, building major, minor, dominant sevenths from the second scale degree and applying them across left and right hands.

  • Working with the rhythm of the left hand4:55

    Develop left-hand rhythm with eight-note patterns to embellish basic harmonies and ballad-style sound in 4/4 time. Coordinate left on 2, 4, 6, 8 and right on 1, 3, 5, 7.

  • The use of octaves in the left hand3:07

    Learn to enrich the left hand by adding octave figures, bass triads, and occasional two-note extensions, then synchronize left and right hands with accented and unaccented beats.

  • Sliding the bass1:52

    Explore sleights and bass slides in ballad piano, use C in bass, slide between notes like G to F, and practice 1 2 3 1 pattern for harmonic motion.

  • Rhythm in the right hand9:32

    Develop right-hand rhythm through five progressive exercises, coordinating with the accented left hand and pedal. Learn to combine hands, vary rhythms, and improvise melodies in different keys.

  • Exercise "Twos"3:06

    Combine both hands to master the rhythmical exercise, playing the three right-hand parts g, c, d with the left-hand pattern from the previous lesson; listen with eyes closed.

  • Exercise "Twos" (continued)3:26

    Review and combine bars from prior sessions, practice right-hand passages with D-plus and alternate rhythms, slow then speed up, and explore improvisation within the exercise framework.

  • Accompaniment by example6:51

    Explore how to create expressive piano accompaniments from a simple four-chord progression by example, using the song Don't Let Me Down, adding melody, pedal choices, and varied left-right hand patterns.

  • Accompaniment by example (continued)5:28

    Improve piano accompaniment by evolving a simple one-bar pattern into richer textures, adding melodies and chord extensions, and exploring duplets, triplets, and solo accompaniments.

  • Slow Ballad4:59

    Master a slow ballad accompaniment using a C–G–F–C major progression, with chords on each quarter, left-hand rhythm, and beat three syncopation, enriching with simple chord tones.

  • Slow Ballad Overplay5:42

    Practice slow ballad overplay by weaving a right-hand melodic phrase between C major, G major, and F major chords, using bass chord tones and offbeat rhythm.

  • Slow Ballad Overplay (continued)4:10

    Practice slow ballad overplay by combining offbeat phrases on the first beat, alternate between the first and second phrases, and explore downward arpeggio and RPG variations to strengthen rhythm.

  • Arpeggio in the left hand9:21

    Master arpeggios in the left hand by coordinating with simple right-hand chords. Practice C major, A minor, F major, and G major progressions, building melody with chords and intervals.

  • Arpeggio modification in the left hand8:24

    Modify the left-hand arpeggios by varying melodies from C, then combine with right-hand patterns to practice two-hand chords in C major, E minor, and F major, following the two-semitone rule.

  • Arpeggio in the right hand8:47

    Learn to play arpeggios in the right hand over ballad chords, starting from C major, with bar-by-bar chord changes and melodies that harmonize with the left hand.

  • Descending Harmony9:18

    Discover how descending harmony in ballad style piano weaves bass movement with right-hand chords, using semi-tones and whole tones, third-interval patterns, and major-minor blends.

  • Ascending Harmony Major5:58

    Explore ascending harmony in major for ballad piano, adapting chords on scale degrees with minor and major chords, minor seventh accents, and circle of faith across a four-bar progression.

  • Ascending Harmony in Minor5:49

    Explore how minor harmony creates dense textures using diminished seventh chords on the second degree, dominant chords, and melodies built around C minor and related progressions.

  • «Passing» harmony6:34

    Learn the passing bass technique, where the left hand shifts bass notes without chords while the right hand keeps the melody, exploring ascending and descending sequences.

  • Melodious bass7:06

    Learn to play a melodic bass by integrating the melody with left-hand accompaniment, using arpeggios and chords, while mastering pedal, dynamics, and tempo for expressive ballad style.

  • Accompaniment "Note by Note"7:10

    Master note-by-note accompaniment in a ballad style by pairing melody with left-hand chords. Practice balancing two hands, playing melodies and chords together or separately with practical fingering.

  • Accompaniment "Note by note". We play a small piece in this style8:17

    Learn a new way to play ballad-style accompaniment with left-hand harmony and right-hand melody, connected at the downbeat, and practice improvisation to create your own melody.

  • Accompaniment "Wave"5:40

    Learn piano accompaniment by building chord sequences with left-hand bass notes, right-hand voicings, and hands-together on the downbeat, using chords such as G major, C major, and D minor.

  • Improvisation. Lesson: "Basic notes"7:51

    Master improvisation by pairing left-hand accompaniment in C major with right-hand melodies, using strong notes (C, E, G) and aligning with harmony.

  • Improvisation. Lesson: "Basic notes" (continued)3:47

    Develop improvisation skills by filling melody gaps between basic notes, moving up or down to shape engaging phrases with pauses and deliberate timing.

  • Improvisation. Lesson: "Alternative Notes"8:08

    Master improvisation with alternative notes to strengthen strong beats across C major, minor, and G major chord sequences.

  • Improvisation. Lesson: "Fret Improvisation"3:44

    Explore free fret improvisation in a single scale like C major, creating musical phrases and riffs across chords from the same key, with repeatable groups and blues-inspired ideas.

  • Improvisation. Lesson: "Typical ballad techniques"7:48

    Explore typical ballad improvisation techniques, including slides with halftone embellishments, six-interval patterns across major chords, and major pentatonic phrases for C and G major, with practical fingering tips.

  • Introduction and ending6:25

    Learn to craft intros and endings by building chord sequences around the song's first chord, using C major with subdominant f and g, and finishing on dominant notes.

Requirements

  • You should know the basics of playing the piano

Description

Everyone remembers songs such as "Yesterday" by "Beatles", or "Hotel California" from "Eagles". They excite our hearts and make us empathize and even cry. It's not so easy to play the piano like this, as it seems. I do not want banalities in the spirit of the "three chords". I want to make a beautiful introduction, quality accompaniment with a beautiful rhythmic pattern, mixed with improvisation and a decent ending. Much can be found in the notes, but for each song there are a million different arrangements that can be played, suitable for you that is not easily found over the internet.
The course BALLAD-MASTER reveals all the features of the ballad-style, including the construction of the right chords, the movement of harmony, accompaniment with beautiful rhythm, features improvisation in the ballad style, the formation of the introduction and ending. You can develop your own style of playing favorite songs and melodies and in the future, use ballad style, even in "Unbrake My Heart"... You will only need to know or pick up the chords of the song, and after, you can arrange the song yourself. Down with the notes! Play what you wanted for a long time!

Who this course is for:

  • For those who want to play in ballad style, making covers of favorite songs, overplaying melodies that you love