
Install Pro Tools and compare packages (Intro, Artist, Studio, Ultimate) with student discounts and 30-day trial. Download, set up iLok license manager, and link your iLok account to activate licenses.
Launch pro tools studio and create a local session, selecting wav at 48 kHz and 24-bit. Treat the session as a folder containing audio files, clip groups, and backups.
Create mono audio tracks in Pro Tools, route input and output, enable recording, use transport controls and loop playback, and add a monitoring track with input monitoring.
Explore editing in Pro Tools using the smart tool to access selector, grabber, and trim functions, apply fades and crossfades, and use non-destructive edits with undo.
Master a fresh Pro Tools session setup with 44.1 kHz, 24-bit depth, and a stereo MIDI instrument track using Xpand2; edit, quantize, and adjust MIDI notes and velocity to tempo.
Learn how to use inserts and the EQ3 seven-band plugin on a MIDI piano track, adjust note length and velocity in the MIDI editor, and navigate grid and slip modes.
Learn to create and balance space using time-based effects by routing signals through an auxiliary reverb, using sends and buses, and mixing wet and dry to preserve note definition.
Learn to print a wild effects bus to a mono audio track in Pro Tools, using bus routing, main output, and non-destructive fades.
Explore the commit and freeze functions in Pro Tools to print tracks as audio files and render inserts and automation, freeing CPU resources while keeping flexibility to unfreeze and adjust.
Master grid and relative grid in Pro Tools to precisely time edits, duplicate and arrange tracks, and route multiple delays and reverbs via sends and buses.
Discover how to hide and make tracks inactive in Pro Tools, work with sends on buses, and compare pre-fader versus post-fader sends to preserve wet/dry balance.
Add a bass part by creating a mono instrument track with XPand2 strings, edit notes in the MIDI editor, and duplicate a loop on an auxiliary base effects track.
Master volume automation in Pro Tools using the waveform view, drawing and deleting nodes, and crafting ramps with the multi-tool to shape audio without editing it.
Explore advanced automation in Pro Tools, including panning and volume automation with node edits and the x snap technique to shape your mix, plus mute, trim, and read/off controls.
Explore direct monitoring and latency, hearing guitar signals via interface before the computer, and compare usb 2 vs usb 3 or thunderbolt while routing audio to headphones, mixer, and obs.
Record a guitar part using direct monitoring and record enable, capture takes with keyboard shortcuts, then organize takes on a playback track and explore timing, dragging, and playlists.
Master playlist workflows in Pro Tools to record multiple takes, switch between playlists, copy selections, and edit with crossfades, solo/select behavior, and clip mute.
Explore the difference between clip gain and volume automation, apply clip gain mid-clip to tame a loud note, and note how a compressor changes their effect in the signal chain.
Master edit modes in Pro Tools by using shuffle, slip, spot, and grid with shortcuts F1–F4, and learn how deletion behaves on shuffle and how relative grid preserves timing.
Explore how sample rate and bit depth shape digital audio, record at 24-bit, 44.1kHz for CD delivery, or 48kHz for video, and convert to 16-bit at the end.
The Nyquist theorem states that to accurately record and reproduce audio, the sample rate must be at least twice the frequency, with 44.1 and 48 kHz sufficient for human hearing.
Learn to back up a Pro Tools session using save copy in, preserve the same sample rate and bit depth, and copy audio files and ptx file for reliable backups.
Explore a song introduction in Avid Pro Tools within the beginner to advanced course, highlighting how to begin working with songs in the software.
Learn how to import audio into a Pro Tools session, choosing copy over add, and place each file on a new track in a dedicated audio files folder.
Label and color-code tracks in pro tools using concise names like bv and bass di. Organize by color and track order, and use inactive or commit to manage resources.
Explore setting up a session in Pro Tools with a master stereo fader, bass auxiliaries, and routing folders for keys; convert to routing folders and color-code tracks for clarity.
Learn editing and balancing in Pro Tools by performing a quick volume balance with clip gain and crossfades, and set master and bus levels at zero.
Discover how to set up reverb and delay in Pro Tools using Space and Studio Reverb. Learn about sends, buses, panning, and routing for vocal and backing tracks.
Learn bass processing in Pro Tools using the master channel with eq and high-pass filtering, compression, clip effects and clip gain, plus delay, reverb, and space plug-in.
Learn to sculpt mix depth by automating send amounts to reverb and delays, balancing bass and guitar groups, using automation tools, ramps, and precise note-by-note adjustments.
Learn to use Pro Limiter on the master bus to manage peak levels, grasp integrated loudness for streaming, and create start-to-end blocks with markers and grouping.
Define start and end with a bounce block to isolate the selection. Bounce to mix as wav or mp3 with interleaved stereo, and import after bounce for dated mixes.
Learn how the solo function affects what gets bounced to a mix, including printing stems like keyboards and importing after bounce for streamlined session management.
learn how to import audio into a 44.1k session, using convert for 48kHz files and avoiding speed changes from adding them. explore creative effects from deliberate sample rate mismatches.
Learn to configure a 5.1 surround session in Pro Tools, including a master fader, six outputs, 5.0 versus 5.1 routing, and LFE routing.
Learn to configure 7.1 surround from 5.1 in Pro Tools, create a new 7.1 output, route bass to the LFE and side/sub channels, and upmix with Stratus 5.0/7.0 before bouncing.
Build and route a 7.1.2 mix in Pro Tools, using a 3D panner for ear and ceiling heights, and apply a 7.0 reverb with proper channel ordering.
Begin by downloading and extracting the wave session folder, then confirm it opens as you continue the introduction to Avid Pro Tools.
discover how pre fade sends ignore the track's output fader, while post fade takes the output fader into account, and see how alt/option toggles outputs to hear guitar and vocals.
Master hands-on Pro Tools editing: manage mix session sends, create and mute click tracks, work with playlist views, and tighten takes using time compression expansion, crossfades, and precise trimming.
Learn to align notes with the main track, apply fades and crossfades, and refine timing and panning in Pro Tools. Use grouping, solo, clip mute, and locking to protect edits.
Explore mixing vocal and guitar reverbs, plate options, Pultec EQ, and compression to add depth and a cohesive soundstage in Pro Tools.
Understand the signal chain order from raw audio through inserts to the send and output; compare compression before versus after EQ with AB tests.
Learn volume automation and volume trim in pro tools, with ramping via the X shortcut, set up delay with a send to feed reverb on the tail ends of phrases.
Automate plugin parameters in Pro Tools, including bypass and tone controls, using read, write, latch, and touch modes to record real-time automation data.
Learn how the automation follows edit button governs whether automation moves with clips; blue means follows, off means stays. Also duplicate tracks to copy automation and inserts.
Explore Dolby Atmos, a three-dimensional audio format that combines a channel-based bed with audio objects and a renderer to position sounds across any speaker setup, from stereo to 17.1.
Create a Dolby Atmos session in Pro Tools, import audio at 48 kHz 24 bit, and verify sample-rate consistency. Assign objects and set the internal renderer for binaural monitoring.
Explore Dolby Atmos mixing by placing sounds with the 3D panner, using height and bed objects, binaural monitoring, and automation to craft immersive, render-ready spatial audio.
Master a Dolby Atmos bounce by exporting a wav master, verify bed and object channel counts, remove unused objects, and review the Dolby Atmos renderer and monitoring options.
Explore how consolidating creates a new file, a destructive edit you can undo only immediately after the action, and how clip grouping offers a temporary fuse with easy ungrouping.
Learn how Audiosuite prints plugin processing onto clips for a destructive edit, with options to render continuously or as individual files, and audition via a configured audition path.
Explore Pro Tools' tab to transients feature, revealing how tabs navigate to the next or previous transient (or region boundary when off), with applications for drums, guitar, and vocals.
Learn how strip silence in Pro Tools removes silence between dialogue clips by adjusting silence threshold, minimum strip duration, and start/end paddings, producing multiple clean clips.
Learn to batch rename Pro Tools clips by clearing names, applying the id1_tackle_drag_ prefix, and numbering at the end with an underscore to keep order.
Export clips as files in Pro Tools by selecting multiple clips and choosing export clips as files. Save individually labeled files to a chosen folder, unlike a single bounce.
Organize a multi-episode Pro Tools session using a block track and clip groups to define episode start and end, then bounce to a single stereo interleaved file with dated labeling.
Learn how to import video into Pro Tools Studio, bring in embedded audio, and align timecode and frame rate with the session for smooth playback and precise nudging.
Learn to use Pro Tools import session data to bring in template tracks and effects, leave blank tracks by unticking clips and media, and reuse setups for song sessions.
Import multi-track sessions from video editors using AAF in Pro Tools, preserving clip boundaries, edits, and fades, with the option to include or separate a video track.
Create and save a film sound effects session template with mono and stereo tracks, folder routing, and essential reverbs, then explore Pro Tools post-production templates for new sessions.
This course takes you from beginner to advanced Pro Tools operation. We cover the things that I feel you should know. I've developed this curriculum based on my years as a university lecturer and practical instructor, teaching Audio Engineering, Sound Design and Music Production.
Whether you are a beginner in audio production, or you have worked with other Digital Audio Workstations and are looking to move over to Pro Tools, this course is for you!
The course structure takes us through various projects and has you introduced to topics as they arise throughout the projects we undertake. I feel this makes for a course that contextualises the topics I am presenting and shows you why they are important to know.
Some topics that, in my experience, beginners have had a hard time grasping and absorbing the information, are shown multiple times so that you fully understand the concepts and can solidify your understanding.
A lot of the examples in the course focus on Music sessions, however we look at working with video as well as some Pro Tools operations that are crucial to know if you are working with software development, game development, sound design and more.
I hope you enjoy the course!