
To learn about how to ask questions and where to get support, check out the last section of this course
Explore the Phase Plant interface, including presets, themes, mod wheel and macro assignments, the four lanes of signal flow, generators, and modulators, and learn to craft your first sounds.
Create your first sound in phase plant by adding an analog oscillator with an envelope (attack, decay, sustain, release) and filter. Explore lfo, pitch modulation, unison, velocity, and patch saving.
Navigate the Faceplant browser to manage favorites, user folders, and presets, load patches, and access factory content and packs like Meltdown.
Explore glide and legato behavior in Phase Plant, adjust polyphony and glide time, and hear how unison, pitch bend, and reverb shape monophonic and polyphonic textures.
Compare frequency stack and pitch stack by exploring overtones and harmonics of the fundamental. See how different waveforms and octave relationships shape timbre, and apply wavetable and shepherd tone concepts.
Discover how the analog oscillator in Phase Plant uses envelope shaping, including attack, decay, sustain, and release, plus delay, hold, tuning, harmonics, and phase tricks to craft timbres.
Explore the wavetable oscillator in phase plant: load a wavetable, morph between 256 waves with frames, and modulate with LFO or envelope while applying a band-limited filter.
Explore generator filters at the group level in Phase Plant, including low-pass, band-pass, high-pass, notch, shelves, and bell filters, with q, slope, resonance, and audio-rate modulation.
Experiment with generator distortion in Phase Plant, using overdrive, hard clip, and quantize to craft richer harmonics; adjust drive, bias, and DC offset for stereo tone shaping.
Master non-linear filters in Phase Plant, shaping distortion with drive and input level, exploring tube and digital modes, plus diverse filter shapes from low-pass to notch.
Explore how envelopes shape sound by modulating filter cutoff, pitch, detuning, and effects in a flexible multi-envelope workflow, including routing, range controls, and groups for organized sound design.
Explore Phase Plant's LFOs as flexible modulation sources, featuring shapes, presets, an editor, tempo syncing, envelope-like modes, phase start positions, and a built-in sequencer for melodic control.
Learn how triggers start modulators in Phase Plant, including note-on vs legato behavior, auto triggering based on polyphony and connected modulators, and polyphonic modulation of per-note LFO and envelopes.
Explore the curve as a versatile modulator that shapes cutoff and filter responses, with tempo-synced speed, looping modes, polyphonic per-note curves, and adjustable loop markers for dynamic sound design.
Learn to use macros and the mod wheel in phase plant to control multiple modulation sources and auxiliary modulation, shaping plucks, cutoff, and LFO-driven textures.
Explore how sample and hold, remap, and slew limiter shape modulation in Phase Plant, using triggers, LFOs, macros, and presets to create stepped, inverted, and gliding sounds.
Explore how to scale modulation using a scaler, remap to the cutoff, and apply upper and lower limits to shape complex, evolving sounds with multiple LFOs.
Master pitch bend and pressure in Phase Plant to create expressive performance. Learn to route aftertouch and LFO for vibrato, tremolo, and evolving filter modulation via the pitch wheel.
Explore how Phase Plant's filter, nonlinear filter, and three band EQ shape sounds through saveable presets, saturation modes, and LFO-driven modulation, enabling expressive, unpredictable sonic character.
Discover how bit crusher reduces sample rate to create bright distortions, how quantize and dither shape tone, and how clipper and sidechain sculpt transients and sub bass.
Master dynamics in Phase Plant—downwards compression, ratio, attack and release, knee and expansion, sidechain, RMS vs peaks, compactor, and limiter—to sculpt peak control and dynamic range.
Master gain and stereo tools to shape mono and stereo signals, use mid-side processing and channel mixer presets, and build clean, modular effects with multi-pass lanes in Phase Plant.
Explore regular and dual delays, with tone, feedback, pan, duck, and tempo synchronization, then master the Haas effect to create wide stereo width while avoiding phase issues.
Explore chorus, ensemble, phaser, and flanger effects in Phase Plant, learning how copies, delays, LFOs, detune, taps, and spread create movement, depth, and a washy, multi-voice sound.
Explore frequency shifter, pitch shifter, and ring mod to create subtle dissonance, modulated pitches, and dirty, real-world tones, with mix controls, grains, and modular routing.
Master advanced synthesis techniques in phase plant by using f2 filter fm to shape and modulate sounds.
Explore frequency modulation with varied operator ratios, envelopes, and waveform routing to sculpt brass-like, neuro-style synth tones; shape FM using filters, LFOs, and unison for dynamic bass and brass textures.
Explore frequency modulation using a sampler as the modulator to create rich, rhythmic fm sounds, controlled by envelopes and curves with phase modulation.
Learn to use Faceplant with snap heap to route signals in serial or parallel, and drive the audio follower to modulate filters and reverbs from external drum loops.
Explore how the LFO table switches between multiple wave shapes to modulate filters, wavetables, and envelopes; create and morph wavetables and evolve melodies with frames, presets, and macros.
Open Phase Plant's built-in sample editor from the sampler generator, load a sample, and save the root node; then edit via selection, fade, reverse, normalize, and mono/channel operations.
Explore the Carve EQ in Phase Plant for mastering, using sculpt, point, and draw tools to shape broad spectral curves, compare AB profiles, and reference tracks.
Explore the slice eq in Phase Plant, featuring auto filter switching between low cut, high cut, shelves, bells, and notch, with mid-side and left-right modes and LFO modulation.
Explore the filter table in phase blend to sculpt precise filters from wavetable data, tuning cutoff and resonance while morphing between wavetables with an LFO and envelopes.
Explore the shaper and shaper table in phase plant to remap input into shapes, producing aggressive distortion. Use the wavetable editor to import samples and crossfade waves for expressive tones.
Explore the Faturator and Disperser, phase-shifted effects that add character and subtle pitch emphasis. Learn how LPAS filters, pitch shifts, and envelopes shape thicker basses and kicks.
Master the multi-pass technique by splitting a signal into low, mid, high frequency bands and applying distinct effects, modulation, and routing in Phase Plant.
Master advanced synthesis techniques in Phase Plant with G12 Snapheap. Explore how Snapheap enhances synthesis workflows within Phase Plant.
Explore hands-on resonator design in Phase Plant using Slice EQ to create chords from 440 Hz A. Tune with semitone offsets, automation, and LFO remap for evolving sounds.
Explore polyphony experiments in phase plant, mastering multiple triggers from legato and new notes. Learn trigger modes, lfo retrigger, per-note filters, and creative routing across lanes to craft textures.
Advance your synthesis skills by exploring multitimbral experiments in phase plant through advanced synthesis techniques.
Explore advanced synthesis techniques in Phase Plant to design acoustic instruments and craft expressive, realistic sounds.
To be honest, when I first picked up Kiloheart's Phase Plant, I was a bit hesitant..
Sure it gets lots of love from the community, and it seems like it can do a lot, but do we really need another Wavetable synth? After spending some time with it, I think, yes, perhaps? It seems we do actually do need that very much. Like, undoubtedly.
Phase Plant goes pretty deep. Besides being one of the most versatile, modern and aesthetic subtractive synths available these days, it's also very fun to work with. As an instructor I really love the attention to visual details, which makes it a great synth to use when learning about sound design techniues. Kind of like how a Ford Fiesta is a good car to learn how to drive in, but then it's prettier. And it sounds better.
Because it's such a massive synth, we will need to take a structured approach in learning this thing.
Therefore, we start at the very foundations of sound design and synthesis. Things like the Harmonic series, Unison, and other goodies. Once we get a better understanding on these concepts, we can take it a step further and dive into Oscillators, Wavetables, Granular, FM, Sampling, Modulators & Modifiers, all explained with a strong technical foundation.
This will help you to fully understand these techniques and use them in any context.
From there, we move into even more advanced territory. Complex modulation structures. Audio rate movement. Layered distortion chains. Creative filter routing. Grain mangeling, and really advanced sound design,. You will learn how to build patches that evolve, move, and feel alive. Expression and creativity will be the keyword here.
This is not a beginner overview and it is not a preset pack walkthrough. It is a deep dive into real sound design, with Phase Plant as our tool of choice.
By the end of the course, you will be able to:
Build complex patches from scratch
Design modern basses, leads, pads, FX and textures
Control dynamics and space inside your sounds
Create movement and complexity
Recreate Acoustic instruments
Understand why a sound works the way it does, not just how to copy it
Apply the sound design techniques you learned to any other synth
Phase Plant can seem daunting when you're just starting out, but it richly rewards people who understand it.
This course is designed to make sure you do. Thank you for checking it out
Jor