
Here, I will welcome you to the class, show you what you will walk away with when you're finished and talk a little bit about what you will learn the class.
This video will discuss the materials you will need, and here is a list in writing for your convenience.
Materials:
The downloaded lemon image (see link below) printed in color, preferably on photo paper
6" x 8" canvas
Spare/scratch canvas or canvas board (if you want to practice techniques on the same surface)
Pencil
Eraser
Palette or palette pad (paper plates work in a pinch too)
Palette knife (I prefer metal, but plastic works fine too)
Bucket or jar of water
Cloth or towel to wipe brushes
Wear apron or old clothes and have a flat surface you don't mind getting dirty
Variety of medium, soft-bristled filbert and round brushes (see materials video section for more details)
Blow dryer (optional but recommended)
Matte medium for glazing
Retarder gel (optional, to slow drying time, and can also be used in place of matte medium if you only want to buy one)
Heavy bodied acrylic paints: Titanium White, Burnt Umber, Cadmium Red Hue, Alizarin Crimson (or Crimson), Phthalo Blue (green shade or plain), Cadmium Yellow Medium
In this section, I will walk you through how to measure and accurately draw the lemon onto your canvas in pencil.
Here, we will measure out and then draw the stem and the leaf.
In this section, we will start to mix three shades of brown you will need to paint your brunaille underpainting.
Here, we will complete mixing the browns for the brunaille underpainting.
In this section, I will talk about a good, relaxed, healthy mindset to have before beginning to paint.
Here, we will begin painting the brunaille underpainting background.
In this section, we will complete the brunaille underpainting background.
Here, we will paint the brunaille underpainting of the lemon itself.
In this section, we will put in the brunaille underpainting for the stem.
Here, we will finish the brunaille underpainting by painting the leaf.
In this section, I will discuss which colors we're going to mix, how to achieve a good match, and we will also get going on mixing by making our first color: a dull light pink for the lightest part of the background.
Here, we will mix the lighter blue-greys needed for the background.
In this section, we will mix the darker blue-greys needed for the background.
Here, we will start painting the background by beginning on the right side. As always, feel free to watch this first before you try it on your own. You can also do the left side first if that's easier (it may be easier if you're left-handed). If you want to do that, then watch "Lecture 17: Painting the Background - Left Side" first, and come back to this lecture when you're done.
In this section, we will continue the first color coat on the background by working on the left side.
Here, we will complete the first background color layer.
In this section, we will walk thru how to glaze and we'll use this technique to adjust background colors and textures.
Here, we'll finish the background glazing we started in the previous lecture.
In this section, we'll mix our first yellows for the lemon.
Here, we'll mix the darkest shadow color for the lemon (called the core shadow, which I'll talk about in the video).
In this section, we will paint the basic first colors on the lemon, using different techniques and ways of holding the brush to achieve crisp edges on the outside, and different blends on the inside.
Here, we'll glaze the lemon to adjust the colors so they more closely match the photo reference.
In this section, we'll glaze the lemon again in order to add and enhance the bumpy lemon skin texture
Here, we'll mix colors for the short, woody lemon stem.
In this section, we'll paint in the stem of the lemon, creating sharp edges on the outsides and small, subtle blends on the inside.
Here, we'll mix the colors we'll need to paint in the leaf.
In this section, we'll paint the larger, veiny portion of the leaf, the inside.
Here, we'll complete the leaf by painting the smaller, lighter outside portion.
In this section, I'll discuss how to choose a good color to paint the edges of your canvas, if you choose to do so. We'll also talk about making sure you have enough paint, and walk through how to paint the edges.
Here, I'll discuss how to choose a good color to paint your signature, if you choose to do so. We'll also walk through how to sign.
In this section, we'll just re-cap what we did in this class, the new skills you gained, and enjoy a hearty congratulations for a job well done!
Hi there and welcome to Acrylic Painting for the Eager Beginner!
This course will be a step-by-step, absolute-start-to-absolute-finish journey in creating a realistic acrylic painting, using a photo reference.
We will begin by walking through what materials and set-up are necessary, then we will briefly get into a good mindset for this class.
Following that, I will walk you through how to draw your image on your canvas, followed by mixing first colors for a rudimentary brunaille (done only in shades of brown) underpainting as your first layer of paint. We will paint this layer together before mixing colors to match our photo for the background. We will paint the background together, step-by-step as always, doing a basic layer, then additional layers for colors adjustments and texturing.
Then we'll continue on with the shiny, bumpy surface of the lemon, following the same routine, but with different techniques to achieve the texture and colors unique to the lemon peel. Finally, we'll mix and paint colors for the small, sharp stem and the crisp, hard-edged leaf. We'll then discuss how to choose a good color for painting the edges of the canvas and then we'll mix and paint the edges. Finally, we'll go through how to mix a good color for adding a signature to our paintings, and lastly, we'll sign.
In this class, I address many of the frustrations and confusions that have come up most often with my students over the years. We will spend time de-mystifying the process so you can find out how painting, like any skill, can be learned and continuously improved if it is approached with an attitude of openness and understanding that time, patience, education, dedication and practice are needed. If you have those in your wheelhouse, then you can learn to paint and feel gratified and proud of your process and your product.
Thank you sincerely for joining me in this class. I hope you find as much joy in your painting as I find in teaching it.