
Learn to paint a bush walk landscape with a palette knife, mastering color mixing, knife handling, and step-by-step techniques from outlining to final highlights in a level 2 acrylic course.
Gerald Ashcroft introduces a palette knife landscape course, teaching a four-color color-mixing exercise with white, altering a photo, and planning composition by dividing the canvas into thirds and blocking values.
Identify essential acrylic materials for the color chart and bushwalk landscape: canvases, palette knife (six-centimetre blade), brushes, pencils, water jar, tissues, and colors cobalt blue, ultramarine, crimson, yellow, and white.
Discover how palette knives of different blade shapes and a crooked, comfortable handle let you mix colors on the palette, spread paint, draw lines, and dab spots with the blade.
Organize your palette before the color mixing exercise by lining colors from darkest to lightest across top, with a center line separating cooler left from warmer right, keeping hues clean.
Set up a 30 by 25 cm canvas board and divide it into 35 segments (five color segments across and seven deep) to create a precise color mixing chart.
Master color mixing with yellow, crimson, and orange to craft burnt orange and crimson orange, using a palette knife to create samples, tints, and smooth transitions for acrylic landscape painting.
Mix orange tints by adding white to different shades, then layer them with a palette knife to reveal warmer, deeper tones as crimson accents emerge.
Mix crimson with ultramarine blue and a touch of white to create lighter purples, then use the palette knife to blend and build cooler shadow tones in the landscape.
Create color tints by adding white to purple, producing cooler, lighter variations; learn how a tint or tent uses more white, including a neutral gray tinted with crimson and blue.
Mix cobalt blue with white to create three sky tints on the palette knife. Build a light-to-deeper blue gradation and compare cobalt with ultramarine for a cooler sky.
Explore creating olive greens and blue greens using yellow and cobalt blue, avoiding ultramarine, and learning balanced color mixtures for landscape painting with a palette knife.
Mix a tint from three colors with white, then add a touch of blue to shift toward olive green. Embrace trial and error, as color mixing has no hard rules.
Improve landscape composition by refining focal points and depth using a photo reference; remove clutter, add distant hills, and sketch thumbnails to guide a palette knife painting.
Outline the composition by dividing the canvas into thirds, transfer from the reference image, and sketch trees, grassy bank, and hill with a thin cobalt blue and crimson wash.
Block in the landscape by filling flat shapes with cobalt blue and crimson, add water, and warm shadows; use a fan brush to quickly shape trees.
Use a palette knife block-in to establish a tonal foundation, adding white and cobalt blue for lighter distant trees, then apply thicker paint to reestablish darks and cover the white.
Block in the acrylic landscape using a palette knife, deepen left darks with cobalt blue and ultra marine, and emphasize light contrast on the back hill with a faint touch.
Warm the crimson foreground and left grassy bank with quick brushwork, avoiding detail. Add a touch of yellow to suggest sunlight on the red track, defining the tonal block.
Paint the sky with a palette knife using cobalt blue and white in two mixtures, creating depth from dark top to light horizon with a yellow tint.
Demonstrates painting a distant hill with a palette knife, using white and ultramarine blue to keep it light, with a soft top edge and future highlights and trees.
Learn to create hillside highlights with a palette knife by lightening blue with white and warming with crimson to mimic sunlight, while preserving blue shadows and contrast.
Add ultramarine blue to the darker mix and dab tree shapes onto the hillside. Create random marks to suggest clumps of trees against the sunlit tones, and restore shadow.
Establish the middle-ground darks for shadowy trees using a blue-warm mix with white, crimson, ultramarine, and cobalt, applied with a palette knife; keep edges soft and mid tones later.
Move to the right treetops, deepen the tone with cobalt blue and crimson using a palette knife, keep the color broken and lightly scraped to define the foliage edges.
Shape the right-hand trees, refine the middle and base, and reveal undertones by scraping color. Deepen the sky with cobalt blue for distant hillside light.
Blend crimson, yellow, and white on the right to suggest sunlight on the red dirt track, keep cool tones on the left, and let underpainting show through for depth.
Mix mid tones for mid-ground trees with a muted pale blue-green foliage formed by white, silver yellow, and cobalt blue. Layer color to suggest sunlight and warm crimson accents.
Mix deeper greens with yellow and cobalt blue to create warm and cool mid-tones for right-side trees, using a palette knife to scrape the canvas without over mixing.
Move cobalt blue and crimson across the edge with the palette knife to suggest leaves, foliage, and twigs, deepen tones, and create front trunks against a cooler sky.
Mix vibrant shadow colors for trees using cobalt ultramarine and crimson, keeping paint thin while layering darker shadows with lighter tones, highlights, and an initial wash for depth.
Continue with the grass bank shadow on the left by lighting with white and ultramarine blue and warming with crimson, using under-mixed cobalt blue for broken, varied knife-stroke shapes.
Apply cobalt blue, white, and yellow lace to create cool midtones on the left trees with a palette knife, and layer blue-green over shadow tones for depth.
Apply warmer greens by adding yellow, white, and cobalt blue to brighten the grass bank. Create variety with random knife marks and deliberate mixing with shadow, avoiding uniformity.
Use blue-green to highlight the trees while shadows stay cool, then lift with white and yellow for warmer greens and brighter light.
Add white to create lighter greens, then cobalt blue and yellow to warm tones. Contrast greens with midtones and darks, and layer crimson with white for warmer, broken grass patches.
Reinstate track shadow with white and crimson to warm the red surface, aided by middle ground trees. Drag sunlight highlights across scene with the palette knife, strengthening brightness between shadows.
Learn to create grass bank highlights with a palette knife in acrylic landscape painting, blending white for sunlight and edge contrast with cooler crimson and ultra marine tones.
Mix crimson into the dirt track, layer over the shadow with yellow and white, and push the red forward with thick highlights and broken color in the grass.
Practice creating tree trunks and branches with a cool gray palette knife technique, using left-edge strokes, white highlights, and selective warmer accents against dark shadows and greenery.
Use a palette knife to establish the right-side tree trunks with white and marine blues, dragging the knife edge for lines and branches, then add warmth and highlights.
Continue applying highlights with a palette knife to suggest right-side sunlight, adding bold yellow accents on trees and finishing with restrained, random final marks against dark tones.
Explore a bushwalk landscape using a palette knife to mix and apply paint on canvas with greater confidence after completing the color chart.
The Palette Knife is a multipurpose painting tool. Use it to mix and apply paint to your canvas and it will give you a totally new and exciting painting experience!
With the Palette Knife:
Paint with more spontaneity without getting tight and detailed
Mix clean vibrant colours
Mix colours on your palette with more volume of paint
Spread the paint with broad strokes
Use the edge of the knife to paint lines and the tip to dab spots of paint
Lay one colour over another, wet in wet
Feel inspired to explore and develop your skills further with this bold and direct technique of painting
Palette Layout and Colour Mixing:
Having your colours organized on your palette can help to prevent you from randomly mixing colours all over the palette. I will show you a simple method of laying out your primary colours that you can use on a consistent basis to avoid confusion and mixing muddy colours!
I have placed a strong emphasis on Colour Mixing. I feel that having a good understanding of how to mix colours effectively will provide you with a solid foundation for painting your landscape. At the beginning of the course I will take you through a simple colour mixing exercise that will prepare and introduce you to a range of colours that you will be mixing for the featured 'Bush Walk' landscape.
Simplifying the Composition:
Before you commence the featured painting I will show you the original photo reference image that this landscape is based on. I will demonstrate how to simplify some of the elements in the picture to make the composition more interesting!
Follow my step by step demonstrations of the Colour Mixing Chart and 'Bush Walk' landscape and you will see plenty of close ups of the colour mixing from your point of view as if you were mixing the colours.
For this 'Bush Walk' landscape you will use a fan brush, palette knife and 4 Acrylic Colours. NOTE: The same principles and techniques also apply to Oils and can be used in exactly the same way!
Cobalt Blue
Ultramarine Blue,
Permanent Crimson
Yellow
White
Video 3 covers a full list of materials required for this course!
This Impressionist style approach with the palette knife can help to prevent you from falling into the trap of painting detail so that your painting doesn’t look tight and controlled. The palette knife can be great fun and allow you to paint broadly with expressive freedom.
So ENROLL NOW for a Palette Knife experience!
Who this course is for?
Beginners and Intermediates who want to:
Paint with the Palette Knife to bring a whole new approach to their paintings
Paint with a limited colour palette
Develop their skills in colour mixing
Use the palette knife to mix clean vibrant colours
Paint in a broad Impressionist style without getting caught up in detail
What bonuses are included in this course?
Photo reference of my Colour Mixing chart
Photo reference of the Original Landscape that the featured 'Bush Walk' painting is based on
Photo reference of my Landscape painting demonstration