ACES In Davinci Resolve 16
What you'll learn
- How to set up and work in ACES in Davinci Resolve
Requirements
- Just the FREE version of Davinci Resolve
Description
ACES is a big deal, it's the future, you don't want to be left behind.
With the Academy Color Encoding System (from the Oscars organisation), no more issues with shots from different cameras or even between live action footage and 3D renders.
This unified color space is for every production, regardless of its size. Whether you are a one-man band or a multi-site production house, ACES is for you and will make your workflow future-proof.
In this course, You will learn:
- What is ACES and why you should start using it
- How to set up ACES in Davinci Resolve 16
- How to find out what are your IDTs
- How to work in ACES and especially what to pay attention to when you want to apply LUTs in ACES.
- How to export / deliver when working in ACES
Who this course is for:
- Anyone who wants not to be left behind in the new Oscars Academy Color Encoding System
- Filmmakers
Course content
- Preview00:30
- Preview07:43
- 01:13Questions and feedback
- 13:27Set up ACES in Davinci Resolve 16 part 1
- 01:21What if you don't know the IDT?
- 02:24Set up ACES in Davinci Resolve 16 part 2
- Preview06:53
- 02:37How to export/Deliver when using ACES?
Instructor
![Film Pro](data:image/svg+xml,%3Csvg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 64 64"%3E%3C/svg%3E){kind=avatar}
- 3.9 Instructor Rating
- 662 Reviews
- 4,035 Students
- 16 Courses
Independent Film Producer, Director and Screenwriter with heavy VFX focus.
I have worked on 20 films projects in several countries (UK, France, Holland, Poland, Turkey...)
Studied at the National Film & Television School in the UK as well as the London Film School and London Film Academy.
I have shot films both on location and on Set in TV Studio. On location includes public places and private property, hospitals, schools, houses, restaurants, hotels, Airports... used props like machine guns, SWAT and Police uniforms...