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ACES In Davinci Resolve 16
Rating: 4.1 out of 5(47 ratings)
148 students

ACES In Davinci Resolve 16

ACES is a big deal, it's the future, you don't want to be left behind
Created byFilm Pro
Last updated 8/2019
English
English [Auto],

What you'll learn

  • How to set up and work in ACES in Davinci Resolve

Course content

1 section • 8 lectures • 36m total length

  • Introduction0:30

    Explore ISIS, a unified color space that future proofs your workflow by eliminating color and coding issues across shots from different cameras and 3D renders, for productions of any size.

  • What is ACES7:43

    Aces unifies footage from different cameras into a single global color space, enabling consistent grading and delivery; it uses input and output device transformers to support broadcast and cinema workflows.

  • Questions and feedback1:13

    Encourage students to ask questions when things are unclear, so they receive answers, move projects forward faster, and deliver better results in DaVinci Resolve 16.

  • Set up ACES in Davinci Resolve 16 part 113:27

    Set up ACES in DaVinci Resolve 16, compare ACES variants, and configure IDT and ODT with input and output device transforms for multi-camera workflows and correct color space.

  • What if you don't know the IDT?1:21

    Learn how to identify the correct IDT in Davinci Resolve 16 by examining metadata for Sony and Red footage, with practical steps to locate the right information.

  • Set up ACES in Davinci Resolve 16 part 22:24

    Set up ACES in DaVinci Resolve 16 part 2 by selecting multiple clips, applying input transforms, and understanding raw footage from Red cameras and color space handling without embedded profiles.

  • Apply LUTs in ACES6:53

    Apply LUTs in ACES with awareness of color-space compatibility; LUTs created in Rec 709 misbehave in ACES without a proper color-space transform, so use LUTs sparingly and map between spaces.

  • How to export/Deliver when using ACES?2:37

    Learn how to export with aces in DaVinci Resolve 16 for three scenarios: final delivery, transfer to another facility, and archival, using Rec. 709 and no output transform.

Requirements

  • Just the FREE version of Davinci Resolve

Description

ACES is a big deal, it's the future, you don't want to be left behind.

With the Academy Color Encoding System (from the Oscars organisation), no more issues with shots from different cameras or even between live action footage and 3D renders.

This unified color space is for every production, regardless of its size. Whether you are a one-man band or a multi-site production house, ACES is for you and will make your workflow future-proof.

In this course, You will learn:

- What is ACES and why you should start using it

- How to set up ACES in Davinci Resolve 16

- How to find out what are your IDTs

- How to work in ACES and especially what to pay attention to when you want to apply LUTs in ACES.

- How to export / deliver when working in ACES

Who this course is for:

  • Anyone who wants not to be left behind in the new Oscars Academy Color Encoding System
  • Filmmakers

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