
discover exam techniques and a step-by-step method to tackle rhythm, pitch, keys and scales, intervals, chords, terms and signs, and music in context for grade five ABRSM theory.
Learn the time value of notes, comparing crotchet, semibreve, quaver and semiquaver to beats, with a circle or pizza visualization to understand durations and their relationships.
Explore single dotted notes and how a dot increases a note’s time value by half, applying to crotchet, minim, semibreve, quaver, and semiquaver across beat values.
Explore the time value of rests in music, including crotchet rest, minim rest, semibreve rest, and whole bar rest, with beat equivalents, plus quaver, semiquaver, and dotted rest concepts.
Bar lines mark bars as units, each with a specified number of beats from the time signature, and double bar lines signal the end of a section or piece.
Explore how time signatures use the bottom number to show note value and the top number to show crotchet beats per bar, with 2/4, 3/4, and 4/4.
Learn how tied notes connect identical pitches with a curved line and hold the combined duration. Contrast ties with slurs, which connect different notes and are played smoothly.
Group rhythms beat by beat in 2/4, 3/4, and 4/4 time, avoiding ties when possible. Beam quavers and semiquavers carefully, and split rests to maintain beats.
Identify notes and their pitch on the piano, from middle C across octaves, including sharps and flats. Learn how the music score indicates which notes to play and their duration.
Identify notes on the piano by using black-key groups: two blacks signal c d e, and three blacks signal f g a b, with octaves repeating.
Learn to sketch the piano keyboard to visualize exam questions, using two drawing methods—start with black keys or start with white notes—and practice creating octaves.
Explore treble and bass clefs on music staff, noting higher pitches in treble for the right hand and lower pitches in bass, and how lines and spaces place middle C.
Explore treble clef note reading by locating middle C and identifying notes on the five staff lines and spaces, from D to a higher C, with no ledger lines.
Count up and down to locate treble clef notes, using middle C as reference for C4 and C5; remember face for spaces and every good boy does fine for lines.
Identify bass clef notes from middle C, moving left down the staff, and count upward and downward to master note positions for the grade 1 exam.
Use middle C as a reference to count bass clef notes. Remember line and space mnemonics—good boys do fine always and cows eat grass; bass clef is f clef.
Explore semitones and tones on the piano, defining a semitone as the nearest note and showing that two semitones form one tone.
Define sharps and flats as semitone steps, then locate them on the keyboard using right for sharps and left for flats, with d and f examples.
Accidentals last for the bar and affect later notes of the same pitch. Use f sharp, e flat, or e sharp (equal to f) in this bar; next bar resets.
Identify key signatures and apply sharps and flats to every note, as F sharp and B flat examples illustrate, while understanding how the key signature persists across bars and lines.
Discover how to use the natural sign to cancel sharps and flats for a note within a bar, and how key signatures create defaults overridden by naturals.
Prepare for the grade one online music theory exam by mastering keys and scales in major keys, including C major, G major, D major, and F major.
Explore key signatures, the sharps and flats after the clef that indicate the key. See examples in c major, f major, g major, and d major.
Learn to form major scales, ascending and descending, using eight notes and key signatures to navigate sharps and flats in c major, g major, d major, and f major.
Explore how to identify the degrees of major scales, including C, G, D, and F major, by counting up the ascending scale and applying sharps and flats from key signatures.
Learn to find intervals using numbers only, for ABRSM grade 1 and 2, by counting upward from C in bass clef to reach second, third, up to sixth.
Master interval questions for ABRSM grade 1 by learning two methods—counting up and using the staff—to identify thirds, sevenths, fifths, and octaves in C major and other keys.
This step-by-step explanation guides naming intervals in major keys, showing how to form third, seventh, octave, and intervals with sharps and flats in G major, D major, and F major.
Explore step-by-step how to determine interval numbers in C major, G major, D major, and F major, using counting methods, line-space patterns, and instant feedback from a Google Forms quiz.
Explore tonic triads in C major, G major, D major, and F major, detailing triad notes (C–E–G, G–B–D, D–F#–A, F–A–C), staff placement, and bass and treble clef writing rules.
Explore how music in context tests assess you with short music extracts and practice answering questions on pitch, rhythm, terms and signs from the music theory learned.
Master music in context questions by analyzing an eight-bar excerpt for dynamics, the F major tonic triad (F–A–C), rhythm, and the lowest note.
Analyze music in context questions by identifying tempo changes like ritardando and a tempo, and assess note values from semibreve to dotted minim, including the highest note f sharp.
This course is created to help you prepare for your exam, or help you prepare for your child's exam for the new ABRSM Grade 1 Online Music Theory Exam.
Hello, I'm RL, and I have many years of experience preparing students for the ABRSM piano practical, piano performance grades, and music theory exam.
This course is a result of my many years of experience teaching students music theory, and preparing them for the ABRSM music theory exams.
With the ABRSM Music Theory exams for grades 1 to 5 going online, there is a big change in how questions are tested, and I have designed this course to help you prepare yourself for the exams from my years of experience. In this course, I'll go through each type of question that is tested in the exam, how to approach them, and some tips and tricks to help you get the correct answers more quickly and easily. I also go through questions that I've carefully created by modelling them after the mock papers. So, you'll get even more practices apart from those you already see in the sample papers and mock papers.
In this complete course on how to prepare for ABRSM Grade 1 Online Music Theory Exam, we will go through all seven sections that are tested for the ABRSM Grade 1 Online Music Theory Exam. These seven sections are rhythm, pitch, keys and scales, intervals, tonic triads, terms and signs, and music in context.
The course is structured in this way. I'll start off by explaining the concept, and then introducing the questions that are tested, how they are asked, and how to answer them.
If you are looking for a course that will help you prepare for the ABRSM Grade 1 online music theory exam, then this course is the one for you. Get familiar with each question tested, and know the ins and outs on how to approach the questions to score!
Many of my students have tried these methods and have helped them do well for their ABRSM Music Theory exams, so do check them out!