Ableton Certified Training: What's New in Live 12
What you'll learn
- The new features of Live 12, including interface, instruments, and effects.
- The Roar Effect
- The Meld instrument
- The new generative MIDI tools in Live
- Much, much, more!
Requirements
- Students should have at least a basic understanding of Live in any previous version, especially Live 11.
Description
Welcome to Ableton Live 12 - the ultimate DAW for music production, songwriting, composition, film scoring, game audio, and more. In this short class, you'll learn about the newest music production tools & techniques found in this version of Live.
Why Learn from Me?
I have over a decade of experience teaching Ableton Live to aspiring creators. I know exactly what it takes to help you master this versatile platform. By the end of this series, you'll be amazed at your newfound abilities.
Tailored for individuals with prior Ableton Live experience, this class serves as a "prequel" to the comprehensive 6-part Ultimate Ableton Live 12 series.
In this class, we will cover new features such as...
the Interface: a new mixer layout, detail view improvements, and more
the Browser: Tags and Search History to make Live a robust sample librarian
the new Roar effect
the new Meld instrument
the new Granulator III instrument
new "key aware" features throughout the whole program
alternative tuning systems, and the incredible power of this new feature
MIDI modification tools
MIDI generators: let Live make music for you!
new accessibility features for visually impaired users
Ableton Live 12 opens up a world of possibilities for your music production journey. Enroll now to join our vibrant community and take your skills to new heights! Jason Allen, a renowned instructor and mentor to over 1 million students, is committed to your success. Receive personalized guidance with 100% of questions answered by Jason himself.
Jason Allen, renowned instructor and mentor to over 1 million students, is committed to your success. As an active participant in the course, he personally answers 100% of the questions posted, ensuring you receive the guidance and support you need.
Enroll now to embark on this exciting musical adventure with us!
Who this course is for:
- Music makers (producers, composers, songwriters) who are familiar with previous versions of Ableton Live, and want to quickly learn the new features of Live 12.
Instructor
- 4.6 Instructor Rating
- 72,829 Reviews
- 314,615 Students
- 145 Courses
Dr. J. Anthony Allen is a distinguished composer, producer, educator, and innovator whose multifaceted career spans various musical disciplines. Born in Michigan and based in Minneapolis, Dr. Allen has composed orchestral works, produced acclaimed dance music, and through his entrepreneurship projects, he has educated over a million students worldwide in music theory and electronic music production.
Dr. Allen's musical influence is global, with compositions performed across Europe, North America, and Asia. His versatility is evident in works ranging from Minnesota Orchestra performances to Netflix soundtracks. Beyond creation, Dr. Allen is committed to revolutionizing music education for the 21st century. In 2011, he founded Slam Academy, an electronic music school aimed at increasing accessibility to music production education. His innovative approach to academia was highlighted in 2024 when he received tenure and resigned from his university position on the same day.
As a composer, Dr. Allen is known for his unique synthesis of diverse musical influences, often blending acoustic music with electronic dance music elements. With a Ph.D. in Music Composition, multiple master's degrees, and numerous awards, Dr. Allen's academic and professional achievements are substantial.
The Minneapolis Star Tribune recognized him as a "Mover and Shaker," reflecting his constant pursuit of new challenges in music, education, and exploration.
Dr. J. Anthony Allen exemplifies the modern musical polymath, consistently pushing boundaries in composition, education, and interdisciplinary innovation.
If you run into him on the street, he prefers to be addressed as J. (as in, Jay.)