
Set the correct tempo in ableton by using the tap function and metronome to match bpm, then turn the beat into a perfect loop.
Learn to turn a section into a perfect loop in Ableton Live using stock plugins, by dragging the loop boundaries, enabling the loop function, and auditioning the result.
Level vocals against the beat by balancing levels, using decibel adjustments to raise the vocals and lower the beat, monitor master peaking to avoid distortion before adding stock plugins.
Learn a vocal mixing workflow in ableton using stock plugins, highlighting a compression-first approach, with the equalizer placed before the compressor and tweaked to taste.
Set the stock compressor in Ableton, use a vocal-friendly ratio of 2, set attack to the fastest setting, and apply -2 to -3 dB of compression for a tighter vocal.
Use a stock EQ before the compressor to reduce vocal muddiness with a high-pass filter, then sweep and perform subtractive EQ to cut troublesome frequencies for each vocal.
Use subtractive EQ to carve problematic frequencies from vocals, reducing nasal, boxy tones and muddiness. Then boost high end to help the vocal cut through the mix.
Create a high-end vocal by duplicating the vocal to form a separate sound channel and sculpt it with high-pass sweeps, boosted highs, subtle EQ, and tempered compression.
Duplicate the vocal track, apply a strong compressor under the main vocal, adjust attack and ratio to reduce saturation, and blend while AB testing with stock plugins in Ableton Live.
Using Ableton's stock reverb, adjust dry/wet to 100 and tweak decay time and pre-delay to thicken vocals, then shape with EQ as a custom resonator and compress for emphasis.
Learn to mix vocals in Ableton Live using only stock plugins, focusing on ping pong delay, 100% dry/wet, and controlled feedback for balanced vocal presence.
Learn to group multiple vocal tracks in Ableton Live using stock plugins, rename the group to Vox, and begin shaping the background vocals.
Apply a sidechain compressor in Ableton Live with stock plugins, set ratio 2, attack 30, release 50, lower the threshold, and use a high-pass at 10 to make vocals cut.
It’s true what they say: vocal processing is one of the most difficult aspects of music production.
If you start with a recording that is below par, or if your singer can’t sing in tune, and with conviction, then no amount of processing magic is going to help. Even if you’re working with a top-notch recording of an awesome singer, it’s STILL tricky business.
We’ve all been there: you labour for hours to get vocals to sit just right in the mix, only to realize they end sounding buried, dull, thin, or like a hot fatigued mess and completely out of place
Here's Is an awesome course for beginners that will help you a long with your vocal mixing journey and get you top notch mixes with very simple steps