
Explore a second-position G9 solo lick built on ninth chords and hammer-ons. Use slides and walk-ups to kick off the blues solo and return via a descending slide to D9.
Explore a jazzy five-to-one chord shift inspired by Johnny Guitar Watson and Mickey Baker. Learn d minor seventh, b flat, f nine shapes and bass patterns for blues songs.
Explore a double-stop rhythm pattern on the first and second strings, inspired by Eddie Taylor and Sonny Boy Williamson, over the G key and 1-4-5 chords.
Explore a t-bone walker lick built on a partial augmented shape, moving from the five to the third fret and back, with muted strings in the key of A blues.
Explore ascending licks on the first and second strings in the key of A, inspired by Hubert Sumlin, Howlin Wolf's Louise, Buddy Guy, using blues box positions up the neck.
Explore a blues lick that slides and uses a lot of vibrator up the third string, inspired by Sonny Boy Williamson and Freddie King, using ascending G barre chord shapes.
Explore d-position blues licks in the key of c, using a d-shaped bar chord moved to the 12th–13th frets, with high-pitched ideas inspired by B.B. King and Jody Williams.
Explore Pee Wee Crayton's double stop bends in the key of B flat, using the first position blues box, bending the third string while the second stays, with downstrokes.
Learn Mickey Baker’s double-stop lick over a seventh chord in the key of G, with a movable second position bar chord approach for playing the idea in other keys.
Learn an Eddie Taylor double-stop lick and a d7 shaped lick in the key of A, then apply movable d7 and g7 shapes across keys for blues shuffles.
Today, it seems that so many blues guitarists are content to jam out in the first or second blues box position - shredding single string solos and bends full of cliched licks and lacking imagination. So how does one escape the mundane? Easy! All you have to do is explore the playing of the "old school" blues guitarists - the originators of the style! That's what this new lesson series is all about. I've always been interested in finding new and more interesting licks to mix-in with the commonly used phrases. Here, I will share and teach 50 different ways that you can make your playing more interesting - in the "old school" way.
In this course, I will teach you 50 different licks and creative ideas from the blues recordings of the 1950s and 1960s. The licks taught in this lesson series come from the playing of such greats as Buddy Guy, Hubert Sumlin, Robert Jr. Lockwood, Pee Wee Crayton, T-Bone Walker, Otis Rush, Freddy King, Eddie Taylor, Johnny "Guitar Watson. and many more!
TABS are included for each lick.
Licks include chord licks, single string runs & fills, double stop licks, and other creative ideas.
Each lick is clearly explained and demonstrated - so you actually can understand how/why the lick is played and how you can play it in a variety of keys.
This lesson series is meant to supplement my two Traditional Blues Guitar Lesson Series for beginners - giving you a variety of new ideas to work into your playing.