
Source files and samples for Section 1
Examine the head mesh to study edge loops and edge flow for animation-ready models, and compare low-poly counts to prioritize front-face detail for game-ready orc busts.
Master UV review concepts for orc busts by planning seamless textures, strategic seams, and head-focused texture sheets, while choosing mirrored or unique layouts for body parts.
Import an OBJ, navigate the ZBrush interface, and switch between ortho and perspective views. Use clay build up, standard brushes, and alpha palettes to sculpt and texture the bust.
Explore sculpting with standard, clay buildup, and clay brushes, learn masking to protect details, enable symmetry in ZBrush, and refine forms with smoothing, intensity adjustments, and quick viewing of strokes.
Learn to manage colors and materials in ZBrush: fill objects, sample colors, and apply white, green, and metallics; use spotlight to project textures and sample color for poly painting.
Source files and samples for Section 2
In foundation sculpting 01, organize a low-poly orc head in ZBrush using poly groups, subtools, and UV groups, then block in form with clay buildup and masking.
Build foundation shapes in ZBrush using clay buildup, turning off symmetry to add asymmetry. Mask back faces, refine ears and fat folds, subdivide for texture, and save frequently.
Master the Orc bust sculpting workflow in ZBrush by using clay buildup and clay tubes to shape gums, teeth, and under-the-tongue anatomy, while exploring symmetry variants and multiple detailing methods.
Build a strong base sculpture in ZBrush, refine brow and mouth details, add wrinkles and teeth, and use masking, alpha brushes, and subdivision to read from multiple angles.
Source files and samples for Section 3
In the second stage sculpting, build on prior shapes to refine the orc bust's face with clay build up, masking, and selective subdivision for the brow, nose, cheeks, and ears.
Master stage two sculpting in ZBrush to build mouth details, lips, and tongue with masking, blur, and clay buildup, creating readable anatomy and organic flow.
Master second stage sculpting of an orc bust by shaping guns and teeth with clay buildup, smoothing, and controlled details for videogame production under tight timelines.
In second stage sculpting, add detailed teeth, gums, and wrinkles with subdivision and masking, preview with BPR renders, and plan Pollock-style colors for an orc bust in ZBrush.
Source files and samples for Section 4
Learn to sculpt an orc bust in ZBrush with organic wrinkles, asymmetry, and detailed mouth anatomy, using standard and inflate brushes, alpha textures, and poly painting for game-resolution textures.
Refine an orc bust by adding irregular skin details and subtle bumps with mask, clay buildup, and asymmetry, avoiding a too-clean cgi look for believability.
Apply alphas to sculpt skin details, creating pores and bumps with quick left-click and drag, adjusting stroke size, intensity, and symmetry for consistent, readable texture on the orc bust.
Bake and export normal maps from the high-poly head, flipping the green channel, then apply these maps to the game-resolution model and preview with quick renders in Marmoset.
Refine orc bust proportions in ZBrush by elongating head and adjusting jaw, using masking and move tool to reposition teeth and tongue while preserving uv maps and normal maps.
Source files and samples for Section 5
Explore ZBrush polypainting to texture creatures, using spotlight for shading, sampling colors from reference skins, and a flat M.H. modeling madcap base for accurate tones.
Learn to color spray skin on an orc bust using alpha textures and color samples. Build up shading, wrinkles, and subtle rot details with masking and careful color blending.
Explore spotlight-based polypainting in ZBrush to color eyes, teeth, and gums with symmetry and masking techniques, using ortho view, mirroring, and layer blending.
Learn polypainting techniques in ZBrush, layering color, adjusting hue and saturation, and blending tones to create a detailed orc bust with pores, wrinkles, and subtle blue-green accents, mindful of projection.
Master color detailing on an orc bust by layering hues, masking ambient occlusion, and painting a detailed diffuse map to bring out features like the eyes, ears, and mouth.
Refine cavity masking to deepen shadows around ears and cheeks, adjust the mask with blur, and push color to enhance cracks and tusk texture, then export maps for game rendering.
Refine the orc bust by improving lip-gum separation with subtle green shading and age mottling, then place maps—diffuse, normal, and spec—for final rendering in marmoset.
Learn to preview, texture, and render an orc bust in marmoset toolbag, adjusting wireframe, lighting, normal maps, and export settings for a polished final presentation.
Stephen Wells covers his process of sculpting, poly painting, and baking normal maps step-by-step for this Next-Gen Orc Head model. You will learn about various tools and workflow aspects of ZBrush and work your way through the sculpting process and become more familiar with the ZBrush interface and the use of its more powerful features. We'll start with the very basic level of the orc head, then get it ready for sculpting in ZBrush, and really lay down the details as we flesh the character head out. You'll learn a very thorough pipeline for creating a great looking asset!
More about the Instructor:
Stephen Wells is an expert 3D modeler for characters, props, vehicles, weapons and environments and have created both high and low polygon assets for game productions. He has over 20 years experience in creating a variety of game assets for several different genres (fantasy, sci-fi, combat, superheroes, horror, etc) using 3ds Max, Maya, Photoshop, Zbrush, Mudbox, Topogun, and XNormal. As an enthusiastic instructor, he loves creating video tutorials on a wide variety of subjects including Zbrush, 3DS Max, Topogun, Roadkill, and many more to help students better their skillsets.