
Source files for Volume 1
Create and organize joints in Maya using the joint tool and insert point tool to build hierarchical chains, insert joints, and adjust joint radii for rigid or smooth binding.
Learn how to set and refine joint orientation in Maya using the orient joint tool to align the local rotation axes toward child joints, and mirroring skeletons for symmetrical rigs.
Learn how to skin characters in Maya using smooth and rigid binds, paint weights, and influence troubleshooting to achieve natural deformation.
Create the skeleton for a demon in Maya, place and orient joints from spine to jaw, and plan planar IK for arms and legs with clavicle, humerus, forearm, and wrist.
Build a complete bipedal rig in Maya by creating and orienting hand and leg joints, aligning axes for natural curling, and wiring the skeleton to a root with mirror-ready symmetry.
Aligns and tests joint orientations across fingers, hips, and legs, fixes local rotation axes, and establishes a naming convention to keep the biped rig organized in Maya.
Create and place NURBS control handles with custom attributes to provide IK and FK control across the hips, spine, jaw, and limbs, enabling faster, more precise animation.
Source files for Volume 2
Constrain the control handles to joints using orient and parent constraints, set up ik/fk blending, and preserve local rotation axes by creating empty groups and freezing transforms.
Set up IKFK leg switching in maya by applying orient constraints along the femur to toe, then blend IK and FK with set driven keys and a leg control.
Paint and refine skin weights in Maya to control joint influences on facial and hand deformation, test with rotations, and mirror weights for efficient rigging.
Set up the reverse foot and finger controls with set driven keys on the IK handle after binding the skeleton and painting weights.
Build a Maya hand control rig by adding attributes to drive finger curl and spread, organize with blank non-cable fields, and load joints to rotate and set min/max values.
Clean the rig by locking and hiding unused attributes on control handles, streamline ik/fk controls, and set up a master demon control with a group for easy placement.
In the Bipedal Rigging Series, we take a thorough look at the complete process of rigging, creating bones, skinning, and painting weights of a character from start to finish in Maya. Even if you’ve never rigged a box before, this tutorial breaks down a complex process in an amazingly thorough – and easy to understand way.
Included in this course is a copy of the character - both before and after - so that you can follow along, or compare your rig with the instructor.
About the Instructor:
Justin Harrison is a Character and Technical Animator with more than 7 years experience in the game development industry. Currently, he is working for Molten Games in Del Mar, CA on an unannounced title. Previously he has worked for for both Activision and Sony on titles such as The Bourne Conspiracy, Ghostbusters: The Game, as well as Transformers: War for Cybertron to name a few. Justin holds a BFA in Digital Art and Animation from the College for Creative Studies, and has a generalist skill set that ranges from artistic modeling and asset creation, to motion capture and keyframe animation, to technical rigging and character setup.