
Introduction
Learn to prepare and subdivide a game-ready mesh in ZBrush, using swift loop and chamfer to ensure even topology, and sculpt half before mirroring for low-poly baking.
Mirror and delete unnecessary mesh sections to create an efficient ready version for import into zebrafish, set origin to zero, and export preserving turbo smooth data for later low-poly sculpting.
In part 2 of our Intro to zBrush course, Galen Davis is going to continue on with his catapult model as he walks through the sculpting process of various types of surfaces using the methods introduced in the first part of this course. In addition he's going to be getting a bit into zBrush's layering system as well as some alpha techniques and projection master. Lots of cool stuff here, so don't miss it!
Explore practical wood sculpting in ZBrush, using a rotation layer to straighten beams, auto masking with back face masking, noise and trim dynamic for texture, and layered edge work.
Learn to sculpt wood grain in ZBrush by laying fine grain with tiny brushes, varying depth and direction across layers. Emphasize edges and realism with lost and found lines.
Learn advanced wood sculpting in ZBrush with layered workflows, large cuts, edge variation, and dynamic brush techniques to create weathered, natural textures.
Master rock sculpting workflows in zbrush, duplicating and transposing pieces to create unique rock formations, then unify subtools, apply noise, and prepare low-poly skins through decimation and alpha techniques.
Explore Projection Master and alpha techniques in ZBrush to apply wood and leaf textures from photos. Use masking, import options, and stamps to place alphas precisely across surfaces.
Learn to import textures into ZBrush Spotlight, apply a base texture to a mesh, and paint with spotlight tools across layers using masking and brush controls.
Use decimation master and uv master to create a unified skin low-poly mesh, unwrap uv, and bake normals and occlusion maps from high-poly sculpt.
In this complete beginner's series, Galen Davis covers an introduction to sculpting for games using Pixologic's ZBrush. This series will assume you have an intermediate knowledge of 3ds Max or Maya, but have no experience with ZBrush and are ready to get your hands dirty making assets using one of the leading software tools in the game and film industry.
(Students - please look under Section 1 / Lecture 1 downloads for the source files associated with the lesson.)