
Crystal introduces sarali swaras for beginner flute practice, covering seven notes sa re ga ma pa ni and their ascending and descending orders (saregama and corresponding descent).
Explore the role of Shruthi (pitch) and Laya as the two pillars of Carnatic flute music, and learn how proper Shruti and Laya shape melody in practice.
Explore taalam as rhythm and tempo, practice an eight-beat cycle, and coordinate finger patterns from one to eight to accompany carnatic flute exercises.
Explore the seven-note system and the vast ragas, as the lecture introduces about 72 ragas, focusing on 28 of them to build comfort with notes and exercises.
Learn about the Carnatic flute's eight fingering holes and one blowing hole, and note the difference with Hindustani flutes that have six holes as you begin the first basic exercises.
Choose the flute and learn fingering with wax in the hole, covering one third to half, and apply the conventional grip for correct pitch, aided by guru teachings and axler.
Learn the holding posture for the carnatic flute: left hand covers the first three holes with index, middle, and ring fingers, thumb under the flute, right-hand little finger for support.
Show how to play the seven notes on Carnatic flute, using finger patterns and hole combinations, and practice fourteen basic exercises across all note patterns.
Practice exercise 1 across three speeds to master rhythm and frequency on the carnatic flute, progressing from full speed to second and third speeds with consistent one-note patterns and counting.
Move on to the second exercise, continuing the practice in three speed, as part of the Carnatic flute basics beginner's guide.
Advance into exercise 3 in Carnatic flute basics for beginners. Continue the course by engaging with the third exercise in this beginner's guide.
Practice the fourth exercise in the Carnatic flute basics beginner's guide, focusing on technique and rhythm to build fundamentals now.
Practice essential techniques through exercise 5 in this beginner's guide to Carnatic flute basics, designed for new players to build confidence and skill.
Explore six texases in exercise six of the Carnatic flute basics beginner's guide, focusing on core practice drills to build technique.
Engage with exercise 7 in the Carnatic flute basics beginner's guide, focusing on seven texases to refine rhythm and control.
Perform exercise 8 to explore eight texases in this carnatic flute basics beginner guide, strengthening technique, rhythm, and listening accuracy.
Practice exercise nine in the carnatic flute basics beginner's guide, using the caption elements nine and Texas to reinforce beginner-friendly fundamentals.
Complete exercise 10 in the Carnatic flute basics beginner's guide as the lesson transitions to Texases.
Practice exercise 11 for Carnatic flute basics, live in Texas, to reinforce foundational techniques and expressive phrasing for beginners.
Explore exercise 12 in the carnatic flute basics beginner's guide, designed for beginners to engage with carnatic flute basics through a focused exercise.
Practice exercise 13 in Carnatic flute basics to build foundational fingering, breath control, and tonal quality for beginners.
Practice each of the 14 speeds with proper frequency, match the sharp or two-and-a-half fingering to the video, and recheck yourself while playing along.
learn how to play janta swaras on the carnatic flute by counting an eight-beat tempo with foot taps, using notes like sa and mi to synchronize both hands.
Practice the first exercise of Carnatic flute basics, focusing on correct note transitions, preceding-note technique, and consistent use of the right-hand little finger to maintain playing style across phrases.
Take the second exercise in this Carnatic flute basics beginner's guide to deepen your practice.
Begin the third exercise in the Carnatic flute basics beginner's guide, starting the practice at the lesson's outset.
Explore exercise 4 in Carnatic flute basics, guided by the caption 'Let us take for Texases' to engage beginners with foundational concepts.
Engage in exercise five from the Carnatic flute basics course, focusing on the phrase 'the state of Texas is' to guide beginner practice.
Practice exercise six by taking six Texases to reinforce foundational techniques in carnatic flute basics.
Begin exercise 1 and learn with purpose in the carnatic flute basics beginner's guide. Acknowledge the caption's request to apologize for us as you practice.
Explore the second nexuses in Carnatic flute basics through exercise 2, as part of the beginner's guide.
Practice the exercise from the Carnatic flute basics course to build foundational flute techniques for beginners.
Explore exercise 4 in the Carnatic flute basics beginner's guide with Paul Texases, designed for beginners to learn essential Carnatic flute basics.
Proceed to the fifth exercise in Carnatic flute basics, as introduced in the beginner's guide.
Begin the first exercise in the Carnatic flute basics, with Lloyd staying with us to guide the initial practice.
Advance your Carnatic flute basics with exercise 2 from the beginner's guide, focusing on the second exercise to solidify foundational techniques.
Practice the third exercise to reinforce basic Carnatic flute technique for beginners as part of the beginner's guide.
Advance your beginner's guide to Carnatic flute basics with exercise 4, focusing on foundational techniques and practice routines for texases.
Engage with 50 exercises designed to build foundational Carnatic flute basics for beginners, as presented in exercise 5.
Explore what is not landlordism in exercise 1 within the Carnatic flute basics beginner's guide, guiding students through foundational concepts and practical understanding.
Practice a second exercise to reinforce carnatic flute basics for beginners, strengthening technique and musical understanding in this module of the beginner's guide.
Explore the fundamentals of alankaaras in carnatic flute, including lagu rhythms, jati rhythm, and counting beats and finger patterns that shape tala practice.
Explore chaturasra jaathi dhruva thaalam theory in the Carnatic flute basics course, and follow a guided demo as we prepare to play.
Master foundational Carnatic flute techniques and rhythm with practical instruction on chaturasra jaathi dhruva thaalam, designed for beginners.
Explore chaturasra jaathi matya thaalam theory in Carnatic flute basics, showing how five jaathis and seven tilas combine to yield 35 rhythmic cycles.
Master chaturasra jaathi matya thaalam through practical flute exercises. Build a foundation with fundamentals in the Carnatic flute basics beginner's guide.
Explore citrus imagery while counting from one to six, illustrating a first-to-then progression and a six-part sequence in this beginner's lecture.
Master the basics of rhythm in Carnatic flute by practicing chaturasra jaathi roopaka thaalam in a practical beginner's guide.
Explore tisra jaathi triputa thaalam theory in Carnatic flute basics, counting one, two, three, and understanding one lagu and two thirds, then begin practicing the rhythm.
Practice tisra jaathi triputa thaalam in the Carnatic flute basics beginner's guide for beginner flutists.
Learn misra jaathi jhampe thaalam theory in Carnatic flute basics, counting taalam steps and symbols, and practicing rhythmic patterns.
Master misra jaathi jhampe thaalam with practical flute exercises to build essential rhythmic skills in Carnatic flute basics.
Explore khanda jaathi ata thaalam theory, counting one to five within a taalam, and how a 40-beat cycle is formed, with symbolic cues for counts.
Explore khanda jaathi ata thaalam through practical Carnatic flute basics, tailored for beginners to gain hands-on experience with this rhythmic framework.
Master chaturasra jaathi eka thaalam, a simple four-beat tala, and practice the basic counting to build rhythm for Carnatic flute fundamentals.
Master chaturasra jaathi eka thaalam on the Carnatic flute through practical exercises for beginners. Explore basic rhythm patterns and technique within the beginner's guide.
Practice all basic Carnatic flute exercises in three speeds, performing each exercise 10 to 12 times to master taalam, pitch, and the fundamentals of Carnatic classical music.
Improve fingering skills and tonal accuracy with guided fingering exercises. Practice ascending and descending note patterns in Hari Kambhoji ragam on the Carnatic flute.
Master saptha swara on the flute through fourteen exercises in eight-beat patterns, using a d sharp pitched eight-hole flute and wax on the seventh hole to improve ma-ga connectivity.
Carnatic Flute
One of the oldest musical instruments of India, the instrument is a key-less transverse flute made of bamboo. The fingers of both hands are used to close and open the holes. It has a blowing hole near one end, and eight closely placed finger holes. The instrument comes in various sizes. The venu is also a highly respected instrument and those who play it are expected to appreciate it, for it is considered a gift to be able to play it.
The venu is capable of producing two and half octaves with the help of over-blowing and cross fingering. The flute is like the human voice in that it is monophonous and also has a typical two and half octave sound reproduction. Sliding the fingers on and off the holes allows for production of variety of Gamakas, important in the performance of raga-based music.
History of Carnatic Flute
The flute (Venu) finds great mention in Indian mythology and folklore having been listed as among the 3 original instruments meant for music along with the human sound and Veena (vaani-veena-venu).However it is strange that there is no name mentioned for the typical flute that the Lord plays.
The venu is associated with the Hindu god Krishna, who is often depicted playing it. This kind of flute is mainly used in South India. Lord Vishnu is portrayed as Sri Venugopala.
Venu had not been a part of the Carnatic classical music until the pioneering innovations of Shri Sharaba Shastri and later revisions and updates on his design by Shri T.R. Mahalingam (fondly called Flute Mali). Due to the underlying physics of sound production, flutes have a natural "cut" or a discontinuity when going from the lowest note to the highest note. This discontinuity appears between the notes "ga" and "ma" on a Carnatic flute and between "Ma" and "Pa" for a Hindustani flute (mainly because of the fingering technique differences). In order to adapt the flute to Carnatic Music, certain modifications were necessary such as the addition of the 7th hole, usage of thicker walled bamboos, the technique of lifting the head to change the angle of embouchure when shifting between "ga" and "ma" notes. These innovations enabled artists to perform the Carnatic ragas with all the necessary Gamakas and ornamentations without losing the "Bhaava" of the raga.
In the Hindustani style, it is known as Bansuri (6 Holes). In the Carnatic style, it is known as Flute (8 holes).
Who Am I ?
I am a professional classical musician. I have learnt Carnatic Vocal and Carnatic Flute-Instrumental from late. Manda Balarama Sharma garu and Sri.V.Nagaraju garu. I hold a Diploma in Carnatic Classical Music in both vocal and instrumental.
I have been performing since 1994 as an accompanist and in solo for numerous music and dance festivals, lecture demonstrations, cultural organizations and special occasions like Brahmothsavams in temples within the country.
I gave solo concerts in Tirumala Tirupati Devasthanams., Tirupati, Sri Lakshmi Narasimha Swamy temple, Yadagirigutta, Sri Mallikarjuna Swamy temple, Srisailam., etc., during the brahmothsavams.
Since 2001, I have been teaching numerous students through my own music and dance academy "Swara Vaahini" which is registered by the Govt. of Telangana.
I have been encouraging and developing my students to participate in various programs and television music shows like "Paadutha Theeyaga", Sa Ri Ga Ma Pa Little Champs, etc.
I have been taking online classes through Skype / Google hangouts / Whatsapp for the NRI students from U.S.A., Australia, Denmark, New zealand, Germany, Dubai, Kuwait, Malaysia and Singapore. Most of them are performing in Indian festival occasions regularly.
I would like to impart my musical knowledge to more and more people who are interested to learn and perform from the different parts of the world as MUSIC is the only way to reach god
Reviews On Urbanpro :
Krishna P S attended Flute
"Such an amicable and knowledgeable Guru to learn flute. Regularly gives feedbacks on student's mistakes and corrects them accordingly. He not only taught flute to me, but one of the toughest life lessons- patience, perseverance and dedication. Really feeling blessed to be his student. "
M Bharani attended Flute
"Very nice classes. You will have a valuable time learning here. Sir is very particular about gamakalu, which is why these classes are of high quality. "
Sriram Reddy Bachireddy attended Flute
"Krishna Mohan Garu teaching my son from the past 3 years, he is a very excellent instructor, having huge patience and humor and knowledge. I highly recommend him for the best flutist. "