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107 Through: Classical Riding’s True Contact
New
Rating: 5.0 out of 5(1 rating)
3 students
Created byJane Frizzell
Last updated 5/2026
English

What you'll learn

  • Identify true contact as an effect of throughness, not an action of the hand, in a forward, straight, and loose horse.
  • Recognize correct (carrying) hindquarters to know the horse has found his back correctly (“through the back”).
  • Distinguish true “on the bit” throughness from false or manufactured contact using clear physiological criteria.
  • Apply the nine criteria of throughness to assess engagement, straightness, and transmission in your own riding.
  • Feel and evaluate three-dimensional contact through the skeletal, muscular, and nervous systems of horse and rider.
  • Diagnose common contact and connection problems and trace their solutions in the basic way-of-going, before rein technique.

Course content

9 sections41 lectures4h 5m total length
  • How It Should Feel5:58

Requirements

  • Completion of Classes 101–105 or equivalent exposure to the classical riding system and its terminology.
  • Be already convinced that forward straight riding is the only right way.
  • A working understanding of the classical forward riding system and especially: the language of the natural aids.

Description

Class 107 spells out — horseman to horsemen — what contact actually is — and why it only exists when the horse is calm (loose), forward, and straight on his own.

This course strips away modern shortcuts, vague feelings, and mechanical myths and returns to a disciplined, testable reality: contact as an effect, not an action. When throughness is correct, contact becomes inevitable, elastic, and honest. When it is not, no technique can fake it.

Throughness allows clear transmission of motion, momentum, and impulse (including information), from engaged hindquarters, through an un-impinged topline, via the rider’s seat… and finally: through the hand. In this class you will learn to ride “on the bit”, which requires engagement, looseness, straightness, and uphill balance as physiological realities — not abstractions — so the horse can carry himself and carry you in soundness and true athleticism – which the old classical horsemen considered as “comfort and ease”.

Building directly on Classes 101–106, Class 107 breaks down the nine criteria of throughness step by step. You will learn to recognize the advancing hindquarters, feel the horses find their backs and start to use them. Then three-dimensional contact that runs through the skeletal, muscular, and nervous systems of horse and rider will become intuitive, natural, and permanent. Demonstrations, quizzes, and assignments provide opportunities for both sensory experience and visual proof from the first stride.

Grounded in the classical tradition of fundamental institutions of riding, especially Saumur, Warendorf, and Vienna, this is not generic riding advice but a codified training system tested with proving exercises from Major Anders Lindgren and Colonel Alois Podhajsky.

Class 107 is a threshold. Riders move from practicing correct basics into achieving true throughness — the conductive, clear transmission that defines classical horsemanship. Once felt, it cannot be forgotten, and it changes how you ride permanently.

Expect rigor. This course assumes serious study and practice. If you have completed Classes 101–106 and are ready to stop guessing and start riding with clarity, precision, and uphill balance, Class 107 will take you forward through the back — and into true contact.



Who this course is for:

  • You are already convinced that exquisite basics produce elite athletes.
  • You’re both big-picture broad-minded and a stickler for detail.
  • You’re willing to be immersed — because you know that the horse’s understanding depends on you.
  • You desire forward, straight riding that produces true, provable contact.
  • You are indifferent to difficulty.
  • You hold yourself to a high standard because you want your horses to work the real way.
  • You're not out for shortcuts, trends, or entertainment.
  • Imagine riding in front of General Xenophon, Colonel Podhajsky, and General Chamberlin. This idea charges you up with a cocktail of trepidation and ardor.