In this comprehensive class we will learn the ins and outs of the powerful, open-source, and FREE software Audacity. Audacity allows for recording, editing, mastering, and mixing, and is a versatile tool for any aspiring or professional producer looking for an inexpensive way to produce high-quality tracks.
Also included in this class is 50% discounts to all my other audio classes, including Sound Design: Synthesis, Sound Design: Sampling, Intro to Electronic Music, and Music Theory for Electronic Musicians!
J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.
He currently as an adjunct professor of composition at the University of St. Thomas, Macphail Academy of Music, and the CEO of Slam Academy in Minneapolis.
Praise for other classes by J. Anthony Allen:
Welcome to the class! In this video I'll talk about what we will be covering in this class.
Audacity is Free, but it is also open-source. That means that a lot of people contribute to creating it.
In this video I'll talk about the strengths and weaknesses of Audacity. It is quite good at some things, and not my favorite program in other things. You be the judge.
A quick note on versions: Just to be sure you are looking at the same version I'm using, or a newer one. (It's free, so you have no excuse for not being on the latest version!)
Some basic configurations: Audio in/out, and some settings.
This class won't cover all the foundational elements of digital audio, but I know a place you can find them!
One of Audacity's most powerful ways to use it is as an audio editor. To get started with that, we need to bring in some already-recorded audio.
Audacity has some great sound generators built in. In this video we will show how to use them (and why you would want to)
Recording into Audacity is actually really simple. As long as our setup is correct, just a few clicks will get us recording.
Starting with the basics of working with our track in Audacity: Mute, Solo, Panning, Volume... All the basics.
We have an extra set of more advanced options for each track in Audacity. In this video we will look at these options and how to use them.
Basic editing functions work the same as any text editor, except with Audio.
Here we will walk through adding a second (and third and fourth) track, and putting some audio into it.
Now that we have a bunch of audio, and a few tracks, the Time Shift tool gives us more editing control in moving things around to assemble our track.
The Envelope Tool lets us draw volume curves on each individual piece of audio. Very powerful tool.
With the Draw Tool, we can draw a waveform, down at the sample level.
There are two main sections to the Effects Menu, housing two different kinds of effects.
A relatively simple effect, but we will use it demonstrate how effects work in Audacity. (Hint: Its a little different than other programs)
A powerful effect, Changing the Pitch lets us control the pitch separately of the speed.
Changing the speed is just like treating the audio like a vinyl record: slow it down, and the pitch goes down.
The opposite of changing the pitch, Changing the Tempo allows us to change the speed without changing the pitch.
A simple but incredibly useful tool: Quickly add fades to any segment of audio.
Looking at the Spectrum has a lot of uses, including mastering, mixing, and tightening your mix.
Clipping (distortion) can ruin a track if not dealt with. Use this tool to find any spots that need your attention.
This is a new tool, and has an interesting a bright future.
Watch out for AUP files! Be sure when you save your file, you know how you are saving it.
In this video we look at our main audio export functions for full quality, uncompressed audio files.
There is one (big) extra step you need to do to be able to export as an Mp3 file. File the walkthrough in this video to get everything setup correctly.
Looking to go deeper? How to learn more, and a huge top secret tip on another piece of free software that will change your life.
Thats it! Hope you had fun and got a lot out of the class. Please leave questions in the discussion column and I'll get to each one ASAP.
In this video, I'll walk through the various techniques for removing noise in Audacity. I can't say that Audacity is the most powerful tool available for noise removal, but it has a handful of good options for cleaning up your recording.
When it comes to microphones, you need the right tool for the job. In this video I'll show you a case for when a nicer dynamic mic is not the right choice.
I've received a lot of questions about avoiding Feedback. Feedback is painful to your ears, and dangerous to your speakers. In this section I'll explain what it is and how to avoid it.
There is so much more to learn!
J. Anthony Allen has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers.
J. Anthony Allen teaches at the University of St. Thomas in St. Paul, MN., and is an Ableton Live Certified Trainer. He is a co-founder and owner of Slam Academy, a multimedia educational space in downtown Minneapolis. Recently, Allen founded Hackademica – an innovative net-label for new music.
J. has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelors degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way.
If you run into him on the street, he prefers to be addressed as J. (as in, Jay.)