Compression for Music Producers

Explore mono, stereo, dual-mono, and mid-side compression, learn how separate detectors on each channel preserve stereo width and prevent collapse of the stereo field in mastering.

Master dynamics control by setting attack around one millisecond, release over 100 milliseconds, and using ratios from 2:1 to 4:1.

Learn to glue your mix by using bus compression on groups of instruments, not just solo tracks, to make key and bass work together.

Explore how a gate uses a threshold to pass signals above it, removing noise and reverb tails, and how to use it as a creative effect with external control.

Explore parallel compression to apply to drum parts with a quick attack and a dry signal, and apply the same approach to vocals with jumpy dynamics.

Explore compressor settings using the ARRT rule, adjusting attack, release, ratio, and threshold to shape the sound, achieve dynamic control, and hear practical effects during mastering.

In dance music, send several different instruments to one group or bus and apply compression to achieve a fuller and solid sound.

Identify common compression mistakes by focusing on the incorrect use of threshold and ratio, and learn how peak levels affect the compressed signal.

Learn the pros and cons of different devices in music production compression, use reference tracks to refresh your perception, and remember to take breaks.