Ultimate Ableton Live: Part 3 - Producing & Editing
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Ultimate Ableton Live: Part 3 - Producing & Editing

Learning Ableton Live the right way: From the basics to the advanced, from Ableton Certified Trainer J. Anthony Allen.
4.8 (134 ratings)
Instead of using a simple lifetime average, Udemy calculates a course's star rating by considering a number of different factors such as the number of ratings, the age of ratings, and the likelihood of fraudulent ratings.
977 students enrolled
Created by Jason Allen
Last updated 9/2017
Current price: $10 Original price: $30 Discount: 67% off
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  • 3 hours on-demand video
  • 8 Articles
  • 2 Supplemental Resources
  • Full lifetime access
  • Access on mobile and TV
  • Certificate of Completion
What Will I Learn?
  • Produce music using Ableton Live
  • Use drum samples to edit, arrange, and create unique drum beats of your own.
  • Work inside Ableton Live for completing full tracks
  • Kickstart your productions with my tracks - full sessions included in this class!
View Curriculum
  • Taking Ultimate Ableton Live: Part 1 - The Interface & The Basics is a great place to start, but not required to get the most out of this course.
  • Taking Ultimate Ableton Live: Part 3 - Recording & Warping is also great, but not required to get the most out of this course.
  • Access to Ableton Live will be required. Using the trail version (free for 30 days) would be a great way to start.

For years I've been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn't be a barrier. This class uses the same outline and syllabus I've used in my college classes for years, at a fraction of the cost.

This is Part 3: Producing & Editing

This is a really deep class - tons of content, tricks, and tips. I'm giving you SIX sessions to play around with. One of them (the first one) is even a finished, published complete track of mine. We are going to be covering how to produce using Ableton Live, starting from working with clips and going all the way up to some advanced production techniques. Topics include:

  • Looping
  • Locators
  • Key Mapping
  • Reversing Clips
  • Time Signatures Changes (session and arrangement)
  • Meter Changes (session and arrangement)
  • Adding harmony
  • Working with vocal samples
  • Creating beats
  • Working with one-shots
  • Slice to MIDI for beat production
  • Drum racks (!)
  • Consolidating
  • Recording/Writing Drum grooves
  • Layering Synths
  • Freezing & Flattening
  • Audio Effects
  • Automating Effects
  • Side-Chaining
  • Routing & Bussing
  • Resampling
  • ...and much more!

I will be making 6 (six!) complete classes in order to bring you the most comprehensive manual on Ableton Live production techniques ever created. Each class has Sets, sessions, and experiments for you to try on your own and follow along with.

And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts (the next 5!) of this class.

You will not have another opportunity to learn Ableton Live in a more comprehensive way that this. Start here.

J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.

He currently as an adjunct professor of composition at the University of St. Thomas, Macphail Academy of Music, and the CEO of Slam Academy in Minneapolis.

Praise for other classes by J. Anthony Allen:

  • "Dr Allen does it again with his music theory for electronic musicians series. This course really opened up everything I learned from the 1st section and now I understand more about the composition side of things for music. I highly highly recommend this course to anyone!!! Really opened my eyes to many things I wasn't aware of."

  • "The Best Teacher ever, who makes you understand the ins & outs of Music Theory by all mean without giving what you don't want to know."
  • "I have never had any formal training in music at all. Trying to learn all the notes and how everything translated was a serious challenge. After going thru this class, Dr. J has totally brought down the barriers. The content was very useful and was easy to grasp for me."
Who is the target audience?
  • Students who want a comprehensive understanding of Ableton Live
  • Anyone interested in producing tracks, beats, synths, or any other music on their own
  • Students looking to understand the deeper levels of Ableton Live
Students Who Viewed This Course Also Viewed
Curriculum For This Course
43 Lectures
Introduction & Welcome
1 Lecture 02:31

A quick overview of what we will cover in this class.

Preview 02:31
Arrangement View Editing
6 Lectures 39:59

A few notes about this section before we get started.

Preview 01:03

In this video we will walk through some quick access tricks for looping, adding locators, and key commands. I'll also introduce key mapping in this video.

Preview 12:07

Reversing clips can be an awesome effect - in this video I'll walk you through one of my tracks (you can download the whole session in Lecture 7), and I'll point out how I used reverse crash cymbals for a quick sound design trick.

Preview 07:44

Tempo and Time signature changes can be hard to find in Ableton Live - so watch this video and you will be all up to speed on where to find them and how to use them.

Preview 12:33

In this course I'm going to give you a bunch of sessions for you to play with. This video walks you through how I'm preparing them to send to you - some important file info that you need to know.

Preview 05:47

Your first session from me! This is a complete track from my latest album, available on iTunes, Spotify, Amazon, etc. Feel free to mess with it and have some fun!

SESSION: Here is that track I was working on!
Session View Editing
9 Lectures 51:31

The advantages of working in Session View - a few tips and some info on what we are going to cover in this section.

Session View Editing: Overview

First things first: Getting everything all setup.

Setting Up Loops

Do not be fooled! All loops are not the same length, nor are they 1 bar. Sometimes a loop of 1 beat, 2 beats, or more is all we need. One of the most important concepts in Session View!

Editing Clips

Automating a tempo change in Session View works very differently, but it can still be done. You need to know one super hidden trick to make it work, though.

Preview 05:21

We do not have a timeline in Session View, so how can we change the meter? The Arrangement view way will not work because it needs the timeline. But there is a way!

Preview 03:58

In this video we will experiment with adding harmony and basslines. I'll show you a really slick way to find notes that will work with your melody.

Adding Harmony and Basslines

The mysterious and often troublesome "back to arrangement" button! Many have tried to understand it, and many have failed. But have no fear - it is often misunderstood, but not too complicated if you follow some simple rules of thumb.

Preview 03:43

Once we have a good set going, we can "print" it by recording the performance to the Arrangement View. Lets do it in this video.

Recording to Arrangement View

Another session for you! This is the track I made throughout this section. Download it, explore it, steal it, have some fun with it.

SESSION: Here is the session I was working on for you to download and play with!
9 Lectures 48:57

A few notes about this section before we dive into making beats.

Beats! Overview

There are a few more tricks to working with loops, especially as it relates to making beats that we haven't covered yet. So lets get all up to speed with those here.

Working with Loops

A great way to make your own beats is to start with a loop, and chop it up into its individual sounds. Re-arranging them is a great way to make your own beats.

Chopping Up Loops

After you start dealing with lots of little samples (like we just did in the previous lesson) you will want to get comfortable with Consolidating. Without consolidating, expect headaches!


Wouldn't it be great if Live could just chop up a loop for us and put it into a MIDI sampler so we could play the individual sounds with MIDI? We can!

Preview 09:52

Racks are the monster sleeping within Live. It is a huge topic that we will work with more in later classes. In this video I'll introduce Drum Racks.

Working with Drum Racks

Now that we know what Drum Racks are, lets make our own.

Creating Your Own Drum Racks

Creating with Drum Racks can be as easy as working with any MIDI instrument, if you know the ropes.

Recording/Writing Drum Racks

Another session for you to work with!

SESSION: Another session for you to use for experimenting!
Producing With Synths
4 Lectures 15:11

A few notes about what we are going to cover in this section.

Producing with Synths: Overview

Layering synths is a great trick for creating rich sounds without too much synth programming.

Layering Synths

You've seen me do this earlier - but it can be especially important when we are working with synths.

Freezing and Flattening

This time 2 sessions for you to download and play with!

SESSION: Here is that session - Two this time!
Working with Effects
3 Lectures 10:37

Some notes about this section - basic audio effect overview.

Working with Effects: Overview

In this video I'll work with a delay, EQ, and compressor to add some color and motion to our synth line.

Basic Audio Effects

Automating your effects will add a huge amount of motion and variety to your track. Lets walk through how to set it up, and find the right parameters to automate.

Automating Effects
Advanced Production Techniques
5 Lectures 16:01

A few notes about this section: This is just the tip of the iceberg!

Advanced Production Techniques: Overview

One of the most popular techniques right now is Side-Chaining. You've heard it in a million tracks. It gives us that deep driving pulse. Let me show you how to do it in this video.


Sometimes we don't want our output to go only to the main out. Sometimes we want to send it over to another track as well. In this video, I'll explain why we might want to do that, and how to do it.

Routing & Bussing

Resampling is a handy track, especially for transitions and builds. Ableton Live makes it easy to do if you find the right settings.

Preview 03:48

One more session for you to play with! Have fun!

SESSION: Last one!
Wrap Up
3 Lectures 03:04

Thanks for hanging out! I hope you have as much fun with these classes as I do making them.

Thanks & Wrap Up!

Part 4: Synths & Samplers

Ready for more?

Part 4 is Live!
1 page
Bonus Videos
3 Lectures 07:08

Two videos from a friend of mine on his secrets for making dance music. Super detailed stuff here!

Dance Music Production Video Tutorials

Lets start talking about the Live Instruments! This is a video taken from the next class, Ableton Live 4: Synths and Samplers. Just to wet your appetite for the next class, lets dive in!

Bonus Content: The Live Instruments

There is so much more to learn!

Bonus Lecture: Discount Offers & Mailing List
About the Instructor
Jason Allen
4.6 Average rating
6,703 Reviews
38,672 Students
65 Courses
Ph.D / Ableton Certified Trainer

J. Anthony Allen has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers.

J. Anthony Allen teaches at the University of St. Thomas in St. Paul, MN., and is an Ableton Live Certified Trainer. He is a co-founder and owner of Slam Academy, a multimedia educational space in downtown Minneapolis. Recently, Allen founded Hackademica – an innovative net-label for new music.

J. has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelors degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way.

If you run into him on the street, he prefers to be addressed as J. (as in, Jay.)